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1. Power and Narrative Pleasure in Twentieth Century Detective Fiction: Contesting the Authority in... 2015

   https://ncsu.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwnV3db9MwELdgvCAkPgoaZVtlCbQHpLA1_mi2t62lIDRVBXWC7cWyHVtUQDvVnbb9D_zR3NlpaDRpEjwlSpxYTs7n353vfkfIG2dzb8t9n_Gy5BlnucuMPJCZ7lkAE8YxEbPe15w5KaoSc2ESP0TtcMOZEfU1TnBtwl4diXNhL9-B1mVI9AkoBqs2HJ_9JQoHXLJfE4WDEVMxkzYfvbXX3FicHuB3vm4gz3X8Gheg4ZMUKBIib-H8GlOTGgH4e5H0MDJdrAge_2-YT8njCqLSoyRTz8g9N2uRR2sVFW5aZKtqNQ2_6C5tZJmEFtk8qbygAW6e1MTN4Tn5PcaqbFTPSjrSi8Q6Tsc_k6OSTmd0coXhS275nfbTckgHbpmUMh1OYxLGIY2UWgEDtingV4puvjkW4YsvgAsDfUPnPt5DDgEYDHZ4hPG7IZ4OHMy-8IKcDt9P-h-zqiBEZnG7MgN44Q3Yk3AQxmibayed5GWPl9a43HZtD9Co5hq0lNMAvLw_KHJbgAgWTII5_pJQL0BLdYWRXcNgkfAGGciE0Mx4yST3bdJpyoTSuAOkvoC24mCKFHc04JjvnrfJ65UQqYtEGaJqUwv-p4r_s012o3zVTfTiBwbZ9YT6OvqgBDv_PJFspKC_7ZUAqkq_BAWwE3AEQDPo7W0Unzu6Up_G_dN49upfGm-Rh4AORYpc3CYby8Wl2yEbKNkdcr_4NurEKfcHcQ0v2A

   Dey, Anindita

   Journal Of Popular Culture, Vol. 48, Issue 5, pp. 878 - 897.

   The antithetical relation between pleasure and power in twentieth-century detective texts draws from the contention that the pleasure of the text derives from the disruption of authority and establ... Read more

   The antithetical relation between pleasure and power in twentieth-century detective texts draws from the contention that the pleasure of the text derives from the disruption of authority and established forms of power. Two narratives that are representative of this oppositional relationship are Frederick Forsyth's The Day of the Jackal and Dan Brown's Angels and Demons. The Day of the Jackal, reflects a split within power structures, and defies the power of the detective/investigator representing social surveillance and state authority. Moreover, the death of the Jackal does not indicate the narrative intention of establishing social/penal expectations. In Angels and Demons, pleasure circulates with the possibility of narrative resistance to established power and social formations. To this end, the ideological conflicts reflected in the narrative opens up the problematic of authority and power. Read less

   Journal Article  |  Full Text Online

2. Forsyth, Frederick (1938- ) 2004

   https://ncsu.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwY2BQSU02SktOMUjTNUlJMdE1MTZK1U0yszTTTTRPBjYmklKNTcG73pEGcyCrCUF7YaDxCysWwWV1Sn4yaJhcH9hSMDcyABanJvYFhbqgi6NAE6zQWzSYGViNzIHtDxYG1oDAYM8g1LLVCFphuAkw5MKsAq8TAd1OgLxgXh98SCH4ZArYgYwUOUuQgR_aslRwhCQFIQam1DwRBgObDDu3_KLiypIMG_0MOx0FEL8IdIBEZnI2SERBAygCbF5ZgDi6CpqiDBpuriHOHrowR8QDEwJodD8xLzW_tDge4QwjCQaFNFNgZjQ0TTIzTDIGloVpSaCDtkxNE42T0syMzUzSJBkUCZojRYQaaQYuyFoW0KCEDANrGjDTpMoysIDCUw4aFQDA5Z7N

   The Hutchinson Dictionary Of The Arts.

   Journal Article

3. Slowing Down at 80: PW Talks with Frederick Forsyth 2018

   https://ncsu.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV1LS8NAEB5se_GkomCtlkW8hjbZZNuUUukrVGyo0tLqqeRJpNVoWxH_vTObBOOlFy8TyEL4yO7OzszOfANwE3ha6Pn1UNF9X1d0rgWKK0yhOA0PjQk34Iases8Fc5JsQqqFSec3U4tSV_uxR2HyGvoqQhBhmHn7_qFQ4yi6YE27aBSghJa_Sv6XrU1yDFLNpApFFlCr5l-Vy9NzxDqC1wyBTB-hpgX5PPqa5C6UhBUZT-O_0B5DGc8iP2C54BzrJmvlBA6Ct1NoTdfxF-JgA3THmbNjzXqLPSzYzFmvtoyitKwddawNcU68eCtmxZvt9y5q16LOGVxbw1l_pGTAlukFxPIXFD8HFhq4Y1XDFarLUWGGLrFxGYbD3VBwoYdlqOz5wsXe0Qocom2RUsdeQnG3-QyuoEg_tAqFxuKZ5FOvCqXueDq-o-f80Z7j296wj3Joj1DeG3WUtjqQclKVk_sDoeytYQ

   Publishers Weekly, Vol. 265, Issue 41, p. 91.

   In Forsyth's The Fox (Putnam, Oct.), MI6 employs the talents of 18-year-old genius hacker Luke Jennings against Britain's enemies.

   In Forsyth's The Fox (Putnam, Oct.), MI6 employs the talents of 18-year-old genius hacker Luke Jennings against Britain's enemies. Read less

   Trade Publication Article  |  Full Text Online

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