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1. Intersections 2022

   https://ncsu.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV3Pa9swFBaju3SH0W2F_erQYWyH1I5t2ZY9SiFbu9_QQ7qzkWSJdIV4OCnD-ev3nmQ5btihYxcThFGCvqcnvZf3vo-Q10oWWSrzLGCigACFaQ17LioCIXmueWKQMmonmTPzvTB_rWKf_je0MAbgYqvsP8A7TAoD8BlAhifADM87AW1JbefnthhkjgH-xdKWKW70z8n7Rl43v3tp6m--2Q9rXlaDNjVmzr_qdtNNPsF1tG06Nb6wohlhjdxq4btcRvI94QT7AEfJhLNWyKtr1_siNp1T5vZJBYhHfXnaekRQ64tCviA7eHO1ulUVYr0pS4KkdMIfobZjCWOWKzYee1gnuNFbEhu5y9hR9O66cbhFYkYB58KpwpyHLHS9pjvk2DOecYgiCzyF7ye8LFHEgn0_84cxqr67w7j_qe6favyC6e70D8g-VtLf2ALk_oQe3TUuD8jDPkigMwf2I3JPLx-TQ8fo0tE3FOmChZVk7p6Q-S0DeEcvlrSHnw7wH9OTxemAPx3wP5kuTo8pWAC1FkC9BRySHx_PLz98DnqpjKCGeHYNG0LFQhjYFyKt00wgyZBKs0SVsWBSGwO7TqWoRaZlZgTnPKpFbEoVmaxUumBPCTWM1Vmd12kkk9QkWshYwW0ujeqCIX3xM_J2uz7V6peqIIDElaz8SlY5rxgEk_AmLl6FmK5boUTf6tEsNbKNVVvUnt_5zRdkf2uoL8neur3RR2QPXcQrC_kfAP1Zkw

   Drabik, Grażyna

   The Polish Review (New York. 1956), Vol. 67, Issue 3, pp. 155 - 163.

   The focus of this essay is on the artistic value of Andrzej Bobkowski's prose and on his concern with writing as a craft. It highlights Bobkowski's affinity to Katherine Mansfield, a formative infl... Read more

   The focus of this essay is on the artistic value of Andrzej Bobkowski's prose and on his concern with writing as a craft. It highlights Bobkowski's affinity to Katherine Mansfield, a formative influence, as well as to several contemporary writers, particularly Thomas Merton, Albert Camus, Kazimierz Wierzyński, and Witold Gombrowicz. The essay also addresses the importance of Bobkowski's relationship with Jerzy Giedroyc in regard to his evolving self-definition as an aspiring writer. The opening paragraphs sketch Andrzej Bobkowski's route on his travels through Southwestern France in 1940, which constitutes perhaps the most enchanting part of his longest prosaic work, Szkice piórkiem [Wartime Notebooks]. Read less

   Journal Article  |  Full Text Online

2. Katherine Mansfield (1888–1923) 1905

   https://ncsu.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwY2BQSU6yMDVJMjPVNU60AHZQjFNTgXnOwEI3McncLNXcKA10ZBTqYA7kmJxi6LJK8LpA8Cw-sIGUlJOqn5WlB2xIA6tCMz3QCZ-swCrJ0IiFgdXJ0SPKHz6iYgTML-CjJuELC42g1YSbIAMPaOuAAmhNP9C5QgxMqXkiDGY2GXbesH12Cr6gdiJo1ZiNfoadggZQzhDYOwRxHjVMBvGATSEQT1OUQcHNNcTZQxdsTTyoMVwcn5UVD3ViPLBJJMGgkGZsnGKaYpZiYpBkZJJmlJqYZJgMrBtNDFIsjEGHwUoySOLUL4VHTpqBC1iHm-qCr8-RYWApKSpNlWVgAS34lwM2DM095aDhAgAvpGbJ

   Clare Hanson

   The Gender Of Modernism, p. 298.

   Katherine Mansfield is most commonly viewed as a minor modernist writer, dealing in delicate half-tones with the domestic aspects of life. In this respect she is often compared with women painters ... Read more

   Katherine Mansfield is most commonly viewed as a minor modernist writer, dealing in delicate half-tones with the domestic aspects of life. In this respect she is often compared with women painters such as Berthe Morisot and Mary Cassatt, who have been presented in a similar way. I want to argue in the context of this volume that Mansfield is, as her husband John Middleton Murry claimed, a “great” writer. When, immediately after Mansfield’s death, Murry made his claim, D. H. Lawrence responded: “Poor Katherine, she is delicate and touching.—But not Great! Why say great?” (Letters 4:520). Why indeed? In Read less

   Book Chapter  |  Full Text Online

3. Part 4 Key Authors 2012

   https://ncsu.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpR3LTsMwzGLlgrgwQDBeygHtQFXWNmlXjhSBJrEDErtXfaQaF5jWcYCvx3k0XalATBwaVZFlWXHi2I4fAJd5FgUsCwOHphEaKJRzPHNu5KTZOORjvxQlo9rOHNVttfopin30b9biHDJXpMpuwF6DFCfwH5mMI7IZx28acNvXarhc1yWSkb2yYfzzHJVqUWd7-WFPcNrg0XvjCfeLzexHlAfCRfa2bBn_IorCd1SuoxLM3egaac6bgCBlJqLRxKh8El0TVapTir70PNWEpSNPVX3WGkWAVuvNdT5nzeVhQvp-ge5BD9VSC7bj-DZuPGBCU0TbXGbbafpYXYSrprd-h3b9UQftmjlBtT4w24NdkSNCRPIGUteHLf66D0dT7futyJBMTbnq6gD6YsEJI7jgRC_4IXgP97O7iSORJ_LNukpUdWc_aVGRIBXio8dASkqLoAgL5mY-K32eZl6OuhBzi4iK4r8DuPo7wgEMW8BtoM-XhQRcFOXJJlhPYafZQ2dgrZbv_BwsccouNHO-AN-6Ff0

   The British And Irish Short Story Handbook, pp. 81 - 176.

   This chapter contains sections titled: Richard Aldington (1892–1962) J. G. Ballard (1930–2009) Samuel Beckett (1906–1989) Frances Bellerby (1899–1975) John Berger (born 1926) Elizabeth Bowen (1899–... Read more

   This chapter contains sections titled: Richard Aldington (1892–1962) J. G. Ballard (1930–2009) Samuel Beckett (1906–1989) Frances Bellerby (1899–1975) John Berger (born 1926) Elizabeth Bowen (1899–1973) Angela Carter (1940–1992) Arthur Conan Doyle (1859–1930) Joseph Conrad (1857–1924) A. E. Coppard (1878–1957) Hubert Crackanthorpe (1870–1896) Walter de la Mare (1873–1956) Hugh Fleetwood (born 1944) Graham Greene (1904–1991) Thomas Hardy (1840–1928) Henry James (1843–1916) Gabriel Josipovici (born 1940) James Joyce (1882–1941) James Kelman (born 1946) Rudyard Kipling (1865–1936) Hanif Kureishi (born 1954) James Lasdun (born 1958) Mary Lavin (1912–1996) D. H. Lawrence (1885–1930) Doris Lessing (born 1919) George Mackay Brown (1921–1996) Julian Maclaren‐Ross (1912–1964) Bernard MacLaverty (born 1942) Katherine Mansfield (1888–1923) E. A. Markham (1939–2008) W. Somerset Maugham (1874–1965) Ian McEwan (born 1948) John McGahern (1934–2006) Michael Moorcock (born 1939) H. H. Munro (“Saki”) (1870–1916) Frank O'Connor (1903–1966) Seán O'Faoláin (1900–1991) Mollie Panter‐Downes (1906–1997) T. F. Powys (1875–1953) V. S. Pritchett (1900–1997) Jean Rhys (1890–1979) Alan Sillitoe (1928–2010) Muriel Spark (1918–2006) Robert Louis Stevenson (1850–1894) Sylvia Townsend Warner (1893–1978) William Trevor (born 1928) H. G. Wells (1866–1946) Oscar Wilde (1854–1900) Virginia Woolf (1882–1941) Read less

   Book Chapter  |  Full Text Online

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