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Cry of murder on Broadway : a woman's ruin and revenge in old New York /

By: Material type: TextTextPublisher: Ithaca [New York] : Three Hills, an imprint of Cornell University Press, 2020Description: pages cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781501751486
  • 1501751484
Subject(s): DDC classification:
  • 364.152/3092 23
LOC classification:
  • HV6587.N4 M55 2020
Contents:
Prologue : Defending Amelia Norman -- I am Murdered -- Jersey Maid and Damn Yankee -- Go and Get Your Living -- An Awful Place -- A Great Heart -- The Trial Begins -- Verdict -- The Law of Seduction. -- Epilogue : A Harlot's Fate.
Summary: "Amelia Norman challenged the idea that the fallen woman of the nineteenth century was inevitably 'ruined.' This book shows how the desperate act of this aspiring murderess came to momentarily embody the anger and anxiety felt by many people at a time of economic depression and expanding expectations for equal rights"--
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Holdings
Item type Current library Home library Collection Call number Copy number Status Date due Barcode Item holds
Standard Loan Coeur d'Alene Library Adult Nonfiction Coeur d'Alene Library Book 364.1523 MILLER (Browse shelf(Opens below)) 1 Available 50610022731033
Total holds: 0

Enhanced descriptions from Syndetics:

In Cry of Murder on Broadway , Julie Miller shows how a woman's desperate attempt at murder came to momentarily embody the anger and anxiety felt by many people at a time of economic and social upheaval and expanding expectations for equal rights.

On the evening of November 1, 1843, a young household servant named Amelia Norman attacked Henry Ballard, a prosperous merchant, on the steps of the new and luxurious Astor House Hotel. Agitated and distraught, Norman had followed Ballard down Broadway before confronting him at the door to the hotel. Taking out a folding knife, she stabbed him, just missing his heart.

Ballard survived the attack, and the trial that followed created a sensation. Newspapers in New York and beyond followed the case eagerly, and crowds filled the courtroom every day. The prominent author and abolitionist Lydia Maria Child championed Norman and later included her story in her fiction and her writing on women's rights.

The would-be murderer also attracted the support of politicians, journalists, and legal and moral reformers who saw her story as a vehicle to change the law as it related to "seduction" and to advocate for the rights of workers. Cry of Murder on Broadway describes how New Yorkers, besotted with the drama of the courtroom and the lurid stories of the penny press, followed the trial for entertainment. Throughout all this, Norman gained the sympathy of New Yorkers, in particular the jury, which acquitted her in less than ten minutes.

Miller deftly weaves together Norman's story to show how, in one violent moment, she expressed all the anger that the women of the emerging movement for women's rights would soon express in words.

Includes bibliographical references and index.

Prologue : Defending Amelia Norman -- I am Murdered -- Jersey Maid and Damn Yankee -- Go and Get Your Living -- An Awful Place -- A Great Heart -- The Trial Begins -- Verdict -- The Law of Seduction. -- Epilogue : A Harlot's Fate.

"Amelia Norman challenged the idea that the fallen woman of the nineteenth century was inevitably 'ruined.' This book shows how the desperate act of this aspiring murderess came to momentarily embody the anger and anxiety felt by many people at a time of economic depression and expanding expectations for equal rights"--

Reviews provided by Syndetics

Library Journal Review

Miller (Abandoned) provides a fascinating snapshot of the disparate lives of the rich and the poor in 19th-century New York. In 1843, Amelia Norman stabbed wealthy merchant Henry Ballard on the steps of Astor House; Ballard survived, and Norman was tried for attempted murder. She was thought to have been driven mad after Ballard seduced her when she was 16 and working as a domestic servant, impregnated her, then abandoned her and their infant, forcing her to resort to prostitution to support her family. Following the Panic of 1837, class division in New York was at a fever pitch, and this case, coupled with the burgeoning women's and workers' rights movements, further emphasized the societal divides gripping the city. While Norman received support from reformers such as author and abolitionist Lydia Marie Child, the city's elites banded together behind Ballard. This deeply researched, absorbing work captures the sensationalism of Norman's failed attempt at murder and the subsequent trial as well as the political and economic upheaval sweeping the country. VERDICT Bound to appeal to true crime readers, especially those with an interest in the intersection of crime and socioeconomic issues.--Mattie Cook, Flat River Community Lib., MI

Author notes provided by Syndetics

Julie Miller is the author of Abandoned: Foundlings in Nineteenth-Century New York City . She taught in the history department at Hunter College, City University of New York, before moving to Washington, DC.

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