New York burning : liberty, slavery and conspiracy in eighteenth-century Manhattan /
Material type: TextPublication details: New York : Alfred A. Knopf, 2005.Edition: 1st edDescription: 323 p. cmISBN:- 1400040299
- New York (N.Y.) -- History -- Conspiracy of 1741
- Slave insurrections -- New York (State) -- New York -- History -- 18th century
- Fires -- New York (State) -- New York -- History -- 18th century
- African Americans -- New York (State) -- New York -- History -- 18th century
- New York (N.Y.) -- Race relations
- New York (N.Y.) -- History -- Colonial period, ca. 1600-1775
- 974.7/102 22
- F128.4 .L47 2005
Item type | Current library | Home library | Collection | Call number | Copy number | Status | Date due | Barcode | Item holds | |
---|---|---|---|---|---|---|---|---|---|---|
Standard Loan | Hayden Library Adult Nonfiction | Hayden Library | Book | 947.7102/LEPORE (Browse shelf(Opens below)) | 1 | Available | 50610014273101 |
Enhanced descriptions from Syndetics:
A gripping tale and groundbreaking investigation of a mysterious, and largely forgotten, eighteenth-century slave plot to destroy New York City.Over a few weeks in 1741, ten fires blazed across Manhattan. With each new fire, panicked whites saw more evidence of a slave uprising. Tried and convicted before the colony's Supreme Court, thirteen black men were burned at the stake and seventeen were hanged. Four whites, the alleged ringleaders of the plot, were also hanged, and seven more were pardoned on condition that they never set foot in New York again. More than one hundred black men and women were thrown into a dungeon beneath City Hall, where many were forced to confess and name names, sending still more men to the gallows and to the stake.In a narrative rich with period detail and vivid description, Jill Lepore pieces together the events and the thinking that led white New Yorkers to make "bonfires of the Negroes." She reconstructs the harsh past of a city that slavery built-and almost destroyed. She explores the social and political climate of the 1730s and ?40s and examines the nature and tenor of the interactions between slaves and their masters. She shows too that the 1741 conspiracy can be understood only alongside a more famous episode from the city's past: the 1735 trial of the printer John Peter Zenger. And, weighing both new and old evidence, she makes clear how the threat of black rebellion made white political pluralism palatable.Lucid, probing, captivatingly written, New York Burning is a revelatory study of the ways in which slavery both destabilized and created American politics.
Includes bibliographical references.
Excerpt provided by Syndetics
Reviews provided by Syndetics
Library Journal Review
Prize-winning author Lepore (history, Harvard Univ.; The Name of War: King Philip's War and the Origins of American Identity) offers new analysis of an episode in Colonial New York that revealed the city's racism, the so-called New York Conspiracy, or Negro Plot, of 1741. At the time, New York's pluralistic white community depended upon slaves, who constituted 20 percent of the population. When ten suspicious fires broke out, one white accuser claimed that they were set by black slaves, and the populace panicked at the perceived uprising. The trials resulted in 26 blacks and four whites being hanged or burned at the stake, with numerous other blacks punished with deportation. Lepore cites Thomas J. Davis's A Rumor of Revolt and Peter Hoffer's The Great New York Conspiracy of 1741 but aims for something different. She seeks to distinguish between the kind of liberty achieved by literate whites (e.g., freedom of the press) and the kinds of liberty that proved elusive for blacks. She also argues that the New York Conspiracy may in fact have been imagined by a white populace all too aware of its oppression of blacks and conversant with its own factional politics. Recommended for university history students and specialists, although it will also benefit the informed lay reader. [See Prepub Alert, LJ 4/1/05.]-Frederick J. Augustyn Jr., Library of Congress (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.Publishers Weekly Review
With riveting prose and a richly imagined re-creation of a horrible but little-studied event, Bancroft Prize-winning historian Lepore (The Name of War: King Philip's War and the Origins of American Identity) deftly recounts the circumstances surrounding a conspiracy in pre-Revolutionary Manhattan. In 1741, its teeming streets erupted into fire in at least 10 locations. At first, rival political parties blamed each other for the conflagrations, but they joined forces against black slaves when a young white woman named Mary Burton testified that she had witnessed several slaves conspiring to kill whites and gain their liberty. The colony's leaders arrested and tried at least 100 black men and women. Eventually, the colonial Supreme Court sentenced 30 men to death; 17 were hanged (along with the four supposed white ringleaders) and 13 burned at the stake, based solely on Burton's testimony. Out of fear, several slaves testified against others, and the bulk were sent into brutal slavery in the Caribbean. Drawing primarily on New York Supreme Court justice Daniel Horsmanden's Journal of the Proceedings in The Detection of the Conspiracy formed by Some White People, in Conjunction with Negro and Other Slaves, Lepore demonstrates that whites' fear of black rebellion led them to blame any threat to the colony on the activity of slaves. In this first-rate social history, Lepore not only adroitly examines the case's travesty, questioning whether such a conspiracy ever existed, but also draws a splendid portrait of the struggles, prejudices and triumphs of a very young New York City in which fully "one in five inhabitants was enslaved." 17 illus., 1 map. (Aug. 29) (c) Copyright PWxyz, LLC. All rights reservedCHOICE Review
Lepore's well-crafted study thoughtfully explores the historical context of the most often overlooked but significant moment in the history of New York City (NYC): the 1741 slave conspiracy, when slaves, free blacks, and poor whites planned to burn every home on Manhattan before rampaging through the streets, killing, raping, and looting. The discovery of "the plot" led Colonial authorities to arrest over 180 people, stage dozens of trials, and hang or burn 34 people. Lepore's extensive research in archives from NYC to London allows her to examine what took place inside the courthouse through the lens of the British Atlantic World. She links "the plot" to the harsh conditions of the laboring population, political tensions in the Empire, a growing population of slaves and free blacks, and international conflicts. More than any other scholar, Lepore (Harvard Univ.) lends agency and voice to the African Americans--both slave and free--who labored in 18th-century NYC. When paired with Thelma W. Foote's tightly argued, theory-driven Black and White Manhattan (CH, Jul'05, 42-6690), this engaging study provides readers with the best current scholarship on race in Colonial NYC. Will appeal to general readers, and educators will find the evidence-filled appendixes useful in the classroom. ^BSumming Up: Highly recommended. All levels/libraries. T. D. Beal SUNY College at OneontaBooklist Review
Fear of a slave revolt convulsed New York City in 1741, and Lepore analyzes the course of events in this meticulous but accessible work of historical scholarship. Beginning with the proceedings of trials and executions compiled by the episode's chief inquisitor, Lepore then branches into contextual aspects of colonial America. She combines the cultural pattern of the slave system, political factionalism stemming from the famous John Peter Zenger libel trial of 1735, and the prevalent mindset that as far as enslaved black people (who constituted one-fifth of the city's population) were concerned, there were no coincidences, only conspiracies. Magistrate Daniel Horsmanden virtually personified this background; he mobilized to smoke out an insurrectionary intrigue after a spate of fires consumed several wealthy owners' buildings. Lepore's ensuing narrative of Horsmanden's industriousness is a stellar performance, explaining legal intricacies as it vivifies the anxiety rippling across the city as one confession instigated another and eventually conflated, in Horsmanden's apologia, into an all-purpose papist plot. Previously a recipient of the Bancroft Prize (for The Name of War, 1998), Lepore may once again win that prestigious honor in American history for this searing work. --Gilbert Taylor Copyright 2005 BooklistAuthor notes provided by Syndetics
Jill Lepore is the David Woods Kemper '41 Professor of American History at Harvard University and a staff writer at The New Yorker. She has written several books including Book of Ages: The Life and Opinions of Jane Franklin, The Whites of Their Eyes: The Tea Party's Revolution and the Battle over American History, The Secret History of Wonder Woman, Joe Gould's Teeth, and These Truths: A History of the United States.(Bowker Author Biography)
There are no comments on this title.