Syndetics cover image
Image from Syndetics

Thomas Hardy in our time /

By: Material type: TextTextPublication details: New York : St. Martin's Press, 1995.Description: xii, 173 p. ; 23 cmISBN:
  • 0312122004
  • 033361075X
Subject(s): DDC classification:
  • 823/.8 20
LOC classification:
  • PR4754 .L36 1995
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Current library Home library Collection Call number Copy number Status Date due Barcode Item holds
Standard Loan Wallace Library Adult Nonfiction Wallace Library Book 823./LANGBAU (Browse shelf(Opens below)) 1 Available 50610012748807
Total holds: 0

Enhanced descriptions from Syndetics:

Taking into account the latest criticism, Langbaum discusses Hardy's fiction and poetry from various contemporary points of view so as to show Hardy as a still-powerful literary presence.

Includes bibliographical references (p. 156-166) and index.

Table of contents provided by Syndetics

  • Preface
  • The Issue of Hardy's Poetry
  • Versions of Pastoral
  • Diversions from Pastoral
  • The Minimisation of Sexuality
  • Notes
  • Index

Reviews provided by Syndetics

CHOICE Review

This interesting study fits Hardy into F.R. Leavis's "great tradition" by placing him between George Eliot's realistic objectivity, morally serious exploration of society, interest in women, and psychological approach to characterization and D.H. Lawrence's 20th-century evolution into modernism. Langbaum (Univ. of Virginia) argues that all three authors begin with provincial scenes and explore human nature and society through the medium of sophisticated ideas. Thus, this refreshing study enters a boom of recent Hardy discourse by treading between the ranks of feminist and politically radical critics to deal with literary history and textual analysis. Drawing on the major novels, the author concentrates on several current issues dealt with by Hardy--sexuality, myth, nature, psychology. Langbaum demonstrates how Hardy's psychological insights into unconsciousness and sexuality use exaggerations that verge on fantasy and suggest modernist symbolizations of the unconsciousness. He insists that Hardy's greatest nature poetry is found in his novels, e.g., The Return of the Native (1878), and resuscitates his "last" novel, The Well-Beloved (1892). Including useful notes and index, this stimulating study complements such recent studies as Dale Kramer's Critical Approaches to the Fiction of Thomas Hardy (1979) and Rosemarie Morgan's Cancelled Words: Rediscovering Thomas Hardy (1992). Recommended for college collections of Victorian fiction. S. A. Parker; Hiram College

There are no comments on this title.

to post a comment.