Through the eyes of Miss Toklas, Gertrude Stein reviews both of their lives before their meeting and during their years of companionship.

The Book of Salt serves up a wholly original take on Paris in the 1930s through the eyes of Binh, the Vietnamese cook employed by Gertrude Stein and Alice B. Toklas. Viewing his famous mesdames and their entourage from the kitchen of their rue de Fleurus home, Binh observes their domestic entanglements while seeking his own place in the world. In a mesmerizing tale of yearning and betrayal, Monique Truong explores Paris from the salons of its artists...

Jazz-age Paris was the center of the artistic and literary world, and the center of the center was Gertrude Stein's salon, where the famous and aspiring creative talents gathered to gawk at Stein's Picassos and vie for status. Young Midwesterner Ida Caine arrives in Paris with her husband Teddy, a would-be Hemingway who thinks he can adventure first and write later. When Teddy falls in with the Stein set, he brings Ida to the salon, where she is shunted...

The Autobiography of Alice B. Toklas was written in 1933 by Gertrude Stein in the guise of an autobiography authored by Alice B. Toklas, who was her lover. It is a fascinating insight into the art scene in Paris as the couple were friends with Paul Cézanne, Henri Matisse and Pablo Picasso. They begin the war years in England but return to France, volunteering for the American Fund for the French Wounded, driving around France, helping the wounded...

For more than a century before gay marriage became a political issue, same-sex unions flourished in America. Pairs of men and pairs of women joined together in committed unions, for periods of thirty or forty-sometimes as many as fifty-years. In short, they loved and supported each other every bit as much as any husband and wife. Streitmatter reveals how some of these unions didn't merely improve the quality of life for the two people involved but...

When young Pablo Picasso arrived in Paris in October 1900 he made his way up the hillside of Montmartre ... The real revolution in the arts first took place not, as is commonly supposed, in the 1920s to the accompaniment of the Charleston, black jazz and mint juleps but more quietly and intimately, in the shadow of the windmills-- artificial and real-- and in the cafes and cabarets of Montmartre during the first decade of the century. The cross-fertilization...