Caught between a rock and a hard place, an honest man has to cover for his partner's shenanigans when an old flame threatens to destroy both his career and his marriage with a compromising p... Read allCaught between a rock and a hard place, an honest man has to cover for his partner's shenanigans when an old flame threatens to destroy both his career and his marriage with a compromising photograph. Will she spare him?Caught between a rock and a hard place, an honest man has to cover for his partner's shenanigans when an old flame threatens to destroy both his career and his marriage with a compromising photograph. Will she spare him?
James Finlayson
- Titus Tillsbury
- (as Jimmie Finlayson)
Chet Brandenburg
- Waiter at the Pink Pup
- (uncredited)
Ed Brandenburg
- Waiter
- (uncredited)
Clara Guiol
- Peaches' Maid
- (uncredited)
Charlie Hall
- Tillsbury's Butler
- (uncredited)
Billie Latimer
- Lady Scandal
- (uncredited)
Leo Sulky
- Restaurant Manager
- (uncredited)
May Wallace
- Mrs. Chigger
- (uncredited)
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I watched this immediately after watching the 1931 remake (which is a genuine Laurel & Hardy film rather than a movie in which they both happen to appear) and it was a weird experience. The Oliver Hardy role is taken by James Finlayson who plays the butler in the remake. Hardy plays the judge and is barely recognisable behind a wig and thick moustache.
The film is quite amusing, although it's difficult to judge objectively after seeing the remake. By 1931 the boys had had time to polish their act and some of the comic moments were embellished upon. This is still enjoyable enough, though. Elements of Laurel's character as it would become once he teamed with Hardy peep through every now and then, but his hair's slicked back and he isn't quite the helpless child he would become.
The film is quite amusing, although it's difficult to judge objectively after seeing the remake. By 1931 the boys had had time to polish their act and some of the comic moments were embellished upon. This is still enjoyable enough, though. Elements of Laurel's character as it would become once he teamed with Hardy peep through every now and then, but his hair's slicked back and he isn't quite the helpless child he would become.
This is yet another early film of Stan Laurel & Oliver Hardy but here, as in other of their early work, they're not really together as Stan has the lion's share of scenes and Ollie is only in small doses as a visiting judge. In this one, Stan works as an associate of James Finlayson and they both are married. Suddenly, Mae Busch comes in Fin's office and demands money or she'll reveal her affair to his wife! I'll stop there and just say I thought this was as hilarious as when it was remade as Chickens Come Home when Hardy took Fin's role, Fin took Charlie Hall's role here as a butler, and both Ms. Busch and Stan reprised theirs. There was also a Spanish-Language version called Politiquerias which only featured Laurel, Hardy, and Finlayson. By the way, I reviewed both under my previous username tavm. All the supporting players I just mentioned made their L & H debut here. So on that note, I say give Love "Em and Weep a look if you're curious about the early work of Stan and Babe (Ollie's offscreen nickname). P. S. Also appearing is Vivien Oakland as Stan's wife. She subsequently played Hardy's in That's My Wife, a judge's wife in Scram! And the sheriff's in Way Out West.
LOVE 'EM AND WEEP was a very early pre-team short featuring Stan Laurel and Oliver Hardy at the Hal Roach Studios;the only problem is that they share no virtually no scenes together,and the double act working here is Stan and James Finlayson,not Stan and Ollie.The remake,CHICKENS COME HOME(1931),when the Laurel and Hardy team was well established,is far superior with less frantic pacing and better characterisation.Like Finlayson,several L&H co-stars make their first appearance with the boys;Charlie Hall,Mae Busch.Although the above remake has 10 minutes extra footage(foreign versions had even more footage),Laurel and Hardy together are far funnier than Laurel and Finlayson,though Fin is great as the blackmailing butler,played in this silent original by Hall.
This is one of Laurel & Hardy's "pre-team" comedies, one of several shorts both men appeared in more or less coincidentally before they developed their familiar childlike characters, i.e. the duo with the derby hats we all know and love. In this go-round Jimmy Finlayson is basically the lead player (although Mae Busch originally received top billing), and yet Stan steals the show in a prominent supporting role. Oliver Hardy is relegated to a minor part, and he dutifully reacts to the antics of the other players without any real comic business of his own to perform. Four years later, however, after Laurel & Hardy had become the top comics on the Hal Roach lot, Love 'Em and Weep would be remade as a talkie and retitled Chickens Come Home, with Hardy in the lead, Stan and Mae Busch repeating their earlier roles, and Finlayson reduced to playing Hardy's butler. Something of a comedown for Fin, though it must be said he played his part to a fare-thee-well on that occasion.
At any rate, Love 'Em and Weep is quite enjoyable in its own right, that is, if you enjoy a good old fashioned marital farce. All the ingredients are in place: Finlayson is a respectable bourgeois businessman (profession not specified) who is thrown for a loop when an old girlfriend pops up and attempts to blackmail him. His wife, of course, enters at an inopportune moment and the girlfriend is forced to hide in the bathroom. Finlayson must then explain the presence of her cigarette, fur stole, etc., to his gimlet-eyed wife. The angry girlfriend later shows up uninvited at Finlayson's home while he's entertaining guests and creates even more havoc.
This sort of thing can be tiresome if not well handled -- lesser comedians cranked out dozens of interchangeable short comedies along these lines -- but in this case, the first-rate performers manage to squeeze a lot of laughs out of the situation. Mae Busch is every inch the foxy, smirking troublemaker in the opening scene, and Finlayson's pop-eyed double-takes are as strenuous as ever. Okay, so maybe he was a one-note performer, but he certainly perfected that one note! Stan is quite funny as Finlayson's assistant, a man who (we are told) has great control over women, although we are offered no evidence of this. Quite the contrary! Stan's hair was still slicked down at this point, but he'd already perfected that familiar look of blank vacancy, and when the plot reaches a crisis we get a quick sample of the Laurel Cry.
Love 'Em and Weep is by no means the best comedy short ever made, but it's also far from the worst, and it amounts to a very pleasant diversion for the undemanding viewer. For me, this movie also served to demonstrate the difference an audience can make when viewing a silent comedy of this vintage. I first saw the film at home on TV with a friend and found it moderately amusing, but later, when I was fortunate enough to see it again at a public screening, with live music and an appreciative audience, it was as if a fossilized dinosaur skeleton had suddenly come back to life with a roar. Gags and pratfalls that seemed mildly funny at home rocked the house when seen with a crowd. I can only urge interested viewers to try to see these movies with an audience whenever possible, and if there's no place in your community where this is taking place, then start your own Film Society!
At any rate, Love 'Em and Weep is quite enjoyable in its own right, that is, if you enjoy a good old fashioned marital farce. All the ingredients are in place: Finlayson is a respectable bourgeois businessman (profession not specified) who is thrown for a loop when an old girlfriend pops up and attempts to blackmail him. His wife, of course, enters at an inopportune moment and the girlfriend is forced to hide in the bathroom. Finlayson must then explain the presence of her cigarette, fur stole, etc., to his gimlet-eyed wife. The angry girlfriend later shows up uninvited at Finlayson's home while he's entertaining guests and creates even more havoc.
This sort of thing can be tiresome if not well handled -- lesser comedians cranked out dozens of interchangeable short comedies along these lines -- but in this case, the first-rate performers manage to squeeze a lot of laughs out of the situation. Mae Busch is every inch the foxy, smirking troublemaker in the opening scene, and Finlayson's pop-eyed double-takes are as strenuous as ever. Okay, so maybe he was a one-note performer, but he certainly perfected that one note! Stan is quite funny as Finlayson's assistant, a man who (we are told) has great control over women, although we are offered no evidence of this. Quite the contrary! Stan's hair was still slicked down at this point, but he'd already perfected that familiar look of blank vacancy, and when the plot reaches a crisis we get a quick sample of the Laurel Cry.
Love 'Em and Weep is by no means the best comedy short ever made, but it's also far from the worst, and it amounts to a very pleasant diversion for the undemanding viewer. For me, this movie also served to demonstrate the difference an audience can make when viewing a silent comedy of this vintage. I first saw the film at home on TV with a friend and found it moderately amusing, but later, when I was fortunate enough to see it again at a public screening, with live music and an appreciative audience, it was as if a fossilized dinosaur skeleton had suddenly come back to life with a roar. Gags and pratfalls that seemed mildly funny at home rocked the house when seen with a crowd. I can only urge interested viewers to try to see these movies with an audience whenever possible, and if there's no place in your community where this is taking place, then start your own Film Society!
Yes Oliver Hardy did have a sort of cameo but the stars of this Roach comedy is james Finlayson who starred in a series of comedies in the mid twenties. Here Satn is Fins assistant and Satn has to distract Mae Bush not to cause havoc at Finlayson house. This film would be remade with Hardy in place of Fin and Finlayson in place of Charlie Hall as the butler. It was entitled Chickens come Home and is one of if not the best laurel and Hardy comedy. Differences between the two films was in Love em and weep Stan takes Mae to the pink pup. Plus the scene when they take out the passed out Bush drags on way too long. Nevertheless a great silent comedy. It is available on The Lost films of Laurel and Hardy volume 3.
Did you know
- Trivia'Love 'Em And Weep' was remade by the same studio (Hal Roach) in 1931 as 'Chickens Come Home', a 'three-reel' talkie. Oliver Hardy (who had a bit part as a judge in this silent) took the featured part, which was originally played by James Finlayson in this silent version. Finlayson is relegated to the small part of the butler in the remake. Stan Laurel and Mae Busch play the same parts in both films.
- GoofsIn several instances, Mrs. Tillsbury, refers to her husband, Titus, by the wrong name. After Titus has collapsed in his office, you don't have to be much of a lip-reader to see her exclaim "Jimmy!" referring to actor James Finlayson by his real name, instead of his character name.
- Quotes
Romaine Ricketts: [intertitle] Mind if I smoke?
Old flame: I don't care if you burn!
- ConnectionsReferenced in Sugar Daddies (1927)
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- Release date
- Country of origin
- Official site
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- Also known as
- Better Husbands Week
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- Production company
- See more company credits at IMDbPro
- Runtime20 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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