Mr. Wu

By 1927, Lon Chaney had clearly established that he could play practically any role--ranging from Quasimodo to the Phantom of the Opera to sideshow freaks to maniacs. However, one type of role that Chaney did that just looks pretty shabby today is his Asian characters. In MR. WU, Chaney plays two characters--a very, very old Chinese man and his grandson. As the grandfather, Wu looks really weird--not all that Chinese. As the grandson, with his shaved head and painted eyebrows he looks a little more like Joan Crawford circa 1970 than a Chinese guy! Interesting performances, yes--but not at all believable to anyone but the rather unsophisticated audiences of 1927 (who were used to seeing White guys dressed as Asians).

As for the story, it's odd because from the point of view of the Western characters, they didn't seem racist but were very open towards Asians. In contrast, Wu was a bigoted old guy who, according to some ancient teachings, could NEVER allow a child of his to marry anyone who wasn't 100% Chinese.

In light of this, it certainly isn't surprising that the grandson (I guess that would be Wu III) freaked out when his daughter fell for an American man. This of course leads to a sad and rather crazy conclusion that certainly is interesting--though it also seemed rather silly and tough to believe.

So it it worth seeing? Well for silent film fans (particularly lovers of Chaney), of course. For others NOT familiar with silents or who mistakenly think they are bad, then they should try some other films first. This film is like a strong cigar--it can be appreciated by someone used to them but for novices it's best to just stay away for now.

Good entertaining film but as a viewer I completely lost sympathy with the Lon Chaney character after the way he treated his servant for simply reporting a fact. The removal of that scene would make the picture much better. Louise Dresser is great, especially in the last Pre-Code scene which would never had been allowed during the Breen era after 1934. It is made plain that the mother has to choose between her son being executed or she can save his life by allowing her daughter to be raped. Truly shocking for a 1927 film. Ralph Forbes (who plays as Louise Dresser's son) is quite handsome and effective as the love interest. Renée Adorée is OK as the daughter of Mr. Wu but hardly looks flattering in her makeup and costume. Anna May Wong (who is wasted in a servant part) is clearly more attractive and should have gotten the part.

Film is also hampered with silly ideas about the Chinese as if they blindly adhere to traditional laws in all circumstances. It is very hard to take that premise seriously. Holmes Herbert's boorish uncultured character is also rather offensive.

No, not a great silent film, but nearly so and still an absorbing and entertaining 90 minutes in which to wallow in yet another great Lon Chaney performance. And with some high MGM production values, I almost wished some of Cedric Gibbons' garden scenes could have been shot in Technicolor, although the b&w nitrate print is pristine and atmospheric.

Simple tale expertly unfolded: Honourable Mandarin Mr. Wu's beautiful daughter Nang Ping falls in love with heavily made up Englishman Ralph Forbes with the usual tragic biological consequences. Worthy of University dissertations is the portrayal of both East and West as hamstrung by racist social customs and conventions, real and fictional. It persists today: some people are simultaneously hamstrung by the fact that miscegenation can be frowned upon in certain backward quarters but paradoxically also that a member of one race can act the part of another on film and stage. Mr. Wu is shown to be the then usual Chinese stereotype with inscrutable savagery masked with a veneer of (Western) inculcated civilisation, but a real Chinese would have had to have played it the same as Chaney: it was merely the custom after all. And the whites were also shown to be usual Western stereotypes in a foreign country with condescension and arrogance mixed with ingenuousness. Anna May Wong is here in another good role as sidekick to the unfortunate heroine, whilst Holmes Herbert had a few patronising scenes and never looked older. The climax to the affair is striking - if remade today I'd expect a somewhat different conclusion to mull over!

All in all well worth watching for enlightened silent melodrama fans.

As a youngster in the 1950's I was in a library thumbing through a large movie book when I found a few pages dedicated to Lon Chaney,there were several photos of him in make-up. I just stared at the photos with a great interest.One of the photos that awed me was that of Mr. Wu,it and other characters were a sharp contrast to his natural features. Through the years I've been able to obtain some of the more common Chaney movies but only recently have I viewed this movie.It didn't take long to grab my attention,the opening credits were accompanied by a powerful music score that assured the viewer they were about to see a drama.Overall I would say the music for this video copy contributed to a solid 25% of my viewing enjoyment.Other points of the movie that made it enjoyable for me were: As in other of his movies Lon Chaney doesn't rely only on make-up to entertain an audience,he does his homework on his character and adds distinct mannerisms that fit the part he is playing.The human goodness of the daughter(Adore)the way she can make her father(Chaney) smile who otherwise is usually serious.Anna May Wong does not have a major part but when seen she has great screen presence.Louise Dresser another talented actress takes part in a very serious scene that let's the viewer know what acting is all about.Upon viewing the whole movie there is one stand-out and that is mr. Chaney,there is no doubt he is the star of the movie.One is left with the feeling that his performance reached out to the audience a little further than the others.It can be said this movie is about a young man(Forbes)meeting a young lady(Adoree) and falling in love. What makes the movie though is the result of this encounter.If I were to view this movie with someone other than family I'd want to make them aware some parts demean Asians in picture and word,take it out nothing is lost only gained.I only encourage people to watch movies that I like,this is one of them.

With of course the help from Lon Chaney at his ever best. I have it in an excellent copy from TCM France. It is really an amazing movie, where the great and unique Lon Chaney is as awesome, outstanding as ever, in a role which only him could have. The lead character with of course a doomed fate, that will surprise no one and I don't spoil anything by saying this. I don't even imagine such a story made in the "sound" era. It is totally crazy, incredible in the good way. This is a pure drama, powerful, gripping but, again, with Lon Chaney, how could it be different? I checked William Nigh's filmography and it seems that's his best picture before the talkies period, a period when Nigh will slowly but surely fall down into the B and Z movies depths. He will also use Bela Lugosi in another Chinese character as Mr Wong.