Actress Judy Carroll, from the gas-house district has been trained, educated and developed so well by her manager, that not even the publicity-seeking world of the theater has guessed her an... Read allActress Judy Carroll, from the gas-house district has been trained, educated and developed so well by her manager, that not even the publicity-seeking world of the theater has guessed her antecedents. But she has not loved well or wisely as she learns when she tries to adopt a ba... Read allActress Judy Carroll, from the gas-house district has been trained, educated and developed so well by her manager, that not even the publicity-seeking world of the theater has guessed her antecedents. But she has not loved well or wisely as she learns when she tries to adopt a baby.
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- Awards
- 1 nomination total
- Mrs. Evans
- (uncredited)
- Doc
- (uncredited)
- Party Guest
- (uncredited)
- Mr. Farley
- (uncredited)
- Speakeasy Patron
- (uncredited)
- Mrs. Bronson
- (uncredited)
- Water Wagon Driver
- (uncredited)
- District Attorney
- (uncredited)
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Featured reviews
* 1/2 (out of 4)
Growing up trashy but turned into a lady, an actress (Constance Bennett) wants to adopt a child but isn't allowed after her past is brought up in a court trial. This is an early film from George Cukor that really doesn't have any of the charm or spirit that his later films have. The film is incredibly slow moving and the 67-minute running time feels longer than three hours. Bennett is good in her role but she doesn't have a lot to work with and Joel McCrea is wasted as is Walter Pidgeon. With a cast like this you'd expect a lot better.
This movie is strictly Connie's show and she has three men panting after her. First is Walter Pidgeon who is a political fixer of sorts who is on trial for bribery. Her relationship with him causes her to be subpoenaed as a witness by District Attorney Charles Middleton. Though Pidgeon is acquitted both their reputations have suffered. As a result the baby she has adopted is taken from here by the blue noses who run the Bureau of Child Welfare. What this crowd might have done with Angelina Jolie or Madonna today is something to contemplate.
Her second man is agent Paul Lukas who suggests a nice long European trip till the scandal talk dies down which she does and where she meets McCrea. His character seems to be based on that real society playwright George Kelly, uncle of Grace. He writes a play that proves to be her biggest hit.
Connie's lucky in her career on stage, but singularly unlucky in love. The rest of Rockabye will show that should one care to view it.
Bennett and McCrea were a screen team of sorts doing four films including this one in the early Thirties. According to Tony Thomas in the films of Joel McCrea and THE authority on such matters Robert Osborne, the film was originally shot with Phillips Holmes in Joel's role, but Connie got George Cukor the director to re-shoot her scenes with McCrea. Personally in this somewhat maudlin film I think that Phillips Holmes might have been done the real favor.
George Cukor who usually had such a good touch in these 'women's' pictures went off the mark in this early work of his.
Rockabye is a 1932 film about an actress with a certain reputation. She has three suitors - her ex-fiancée, Walter Pidgeon, whose trial begins the film, in a very small role, youthful Joel McCrea as a married playwright, and her agent, played by Paul Lukas. Directed by Cukor, it's an interesting film (and I believe pre-code), fueled by Bennett's performance, who is especially charming in scenes with the child. She also does all her own singing.
This is a good one to catch on TCM.
The film is worth watching for Constance Bennett alone. She is natural and plays the part perfectly. Joel McCrea is always charming and allows her to shine in each of her scenes by giving Bennett exactly the acting support she needs.
McCrea is a playwright who has written a play about a woman's quest to adopt a baby. It offers the leading role to Bennett, but he does not realize how much the play parallels her actual life. It is hinted at that the child she is seeking to adopt is her love child, but it is not certain that is the fact. McCrea is married and about to be divorced and free. They fall in love and she sees a future with him and their own children.
All seems so happy, but McCrea has an issue from his past that forces Bennett to make a life changing decision. I won't spoil the climax, but it is a good one and Bennett acts her role perfectly.
The film is "good" but it is made "great" because of Constance Bennett. She turns this into a Classy Classic!
Did you know
- TriviaRKO bought the rights of the play from Gloria Swanson. Director George Fitzmaurice was borrowed from MGM and Phillips Holmes (in the role later played by Joel McCrea) from Paramount. The finished film was considered so bad that George Cukor was summoned by Selznick to direct two weeks of retakes, with McCrea taking over Holmes'role.
- Quotes
Jacobs Van Riker Pell: Yes, I wanna know all the things you like most.
Judy Carroll: Chinchilla, smelly cheese, oh boy, that first cigarette in the morning, millions of divine slippers, the first kiss after the quarrel, pretzels, having the back of my neck rubbed, the smell of new luggage, Debussy's music, and colored babies. And you know what?
Jacobs Van Riker Pell: What?
Judy Carroll: Toy balloons. You know I've never had a toy balloon and I've wanted one all my life.
Jacobs Van Riker Pell: I bet you've never had a colored baby, either.
[laughs]
- SoundtracksTill the Real Thing Comes Along
(uncredited)
Written by Edward Eliscu and Harry Akst
Sung by Constance Bennett as "Till the Right Man Comes Along" with piano accompaniment
Details
- Runtime1 hour 8 minutes
- Color
- Aspect ratio
- 1.37 : 1
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