Have You Got Any Castles?

As entertainment, this cartoon is really just a sequence of throwaway gags. Characters from literature and popular fiction participate in a series of mostly bad visual puns. That's the premise. The cartoon's interest actually lies elsewhere.

While we're ostensibly seeing a parody of great books, nearly every book referred to had been a film a few years prior to the release of the cartoon.

A few of the references unmistakably caricature the star of the earlier film: William Powell in "The Thin Man" series, Paul Muni in "The Story of Louis Pasteur", Charles Laughton as Captain Bligh, Edward Arnold as "Diamond Jim" Brady, Victor McLaglen as "The Informer".

Some of the gags have no real connection to the book and film: Heidi sings like Cab Calloway (hey, "Hi-De-Ho"). (And a movie audience of smirking hepcats would rather hear zoot-suited Cab than precocious Shirley Temple, anyway.) The reference to Ferber's "So Big" makes fun of a vain actress. (I'm not positive about that caricature. Katharine Hepburn perhaps? She had been box office poison for some time.) "So Red the Rose" is retitled "Nose" for a "poke" at W.C. Fields. That's not irreverent; that's an obvious buttress for his profitable screen persona.

It's plain to see that books as such are secondary. The jokes in effect are affirming a smug moviegoer's inexperience with actual literature by only showing what had been processed, and pasteurized, at the Hollywood film factory.

So we are really given a glimpse at what had succeeded in making an impression on the popular culture by 1938. As far as I can see, the films honoured by inclusion are all recent products of the studio system, with only a few exceptions.

One clearly British film is alluded to, "The 39 Steps" (1935). Does that imply that Hitchcock was making a real impact on the American mass market? Certainly Hitch came over to the States not long after 1938 (and he had made "Sabotage" in 1936 with an imported U.S. cast).

There is also what I take as a direct reference to the banquet scene from Alexander Korda's "The Private Life of Henry VIII" (1933). Henry Tudor may have been corpulent but he was noted more for his wives than for his feasting, which is why I think the brief reference to Henry evokes this film. Was Korda's film well known in its own right? Or was it simply due to the presence of Laughton, the only person seemingly parodied twice in this cartoon, once allusively in this British film, and once explicitly in "Mutiny on the Bounty", an American film?

Only one silent film unequivocally finds a place here. That's the Lon Chaney "Phantom of the Opera" from 1925, specifically its Masque of the Red Death episode with the Chaney character wearing his striking skull mask. Does that represent the fullest extent of the memories of 1938 picture show patrons?

There are a couple of books whose cinematic incarnations are not all that impressive on their own, and which cannot reasonably account for the books' inclusion here in pastiche form. Therefore one can conclude that "Robinson Crusoe" and "Uncle Tom's Cabin" were books that people were aware of as books. But the list really is that short. Hawthorne's "House of the Seven Gables" is here too. It had not been a film within recent memory. One suspects strongly that the pun potential was too great to let that one get away, not that Hawthorne was cresting a wave of popular adulation at the time.

Otherwise, practically the only book mentioned which had *never* been made into a movie was "Gone With The Wind". Hmm, is there any chance that that book became a popular film AFTER 1938?

In fact, was the Margaret Mitchell book slated for production already by that year? Surely the rights had been sold by then. The book was published in 1936 and was a phenomenon from the outset, a veritable Wirtschaftswunder, a happenstance hapax legomenon. Yeah, it was a popular read alright. So including it here with the other books would represent a foregone conclusion; there would definitely have to be a film sooner or later, and probably sooner.

John Ford's "Drums Along the Mohawk" (1939) may also fall into this category of publishing successes coming soon to a theatre near you. Cartoonists read the industry scuttlebutt in Variety too.

(Try this on for size: "Ub drubs pubs' flubs". (Hey, you think it's easy thinking up bogus Variety headlines? Just try it!) Interpret that as, "Animator lampoons foolish books".)

In conclusion then, I would characterize this unusual cartoon as a notable historical curiosity which should happen to have broad appeal for film buffs. It allows us to exercise our arcane movie knowledge. (Or should that be exorcise?)

Another of the 'books are alive' shorts, perhaps it's having just watched Robert Clampetts' superb "Book Revue" short, but I found this one to be still a bit amusing, but somewhat bland. The rapid fire gags were there in spades, but the whole thing just seemed to be missing the manic energy of a typical Looney Tunes short, and therefor felt a bit lifeless and just a tad stale to me. It still remains watchable, but lacks the spark that makes it stand out in any way, shape, or form. This animated short can be seen on Disc 4 of the Looney Tunes Golden Collection Volume 2.

My Grade: C

I absolutely love this cartoon. It is engaging, it is colourful and it is extremely clever. It is enormous fun spotting all the literary references such as Heidi (who does sing like Cab Calloway), The Three Musketeers and The Thin Man, references to Frankenstein, Fu Manchu, Mr Hyde and Phantom of the Opera(the beginning was hilarious, it isn't everyday when you see monsters such as Fu Manchu dancing to Gossec's Gavotte) and the caricatures of Charles Laughton, William Powell, Greta Garbo and Paul Muni. The animation is spotless, the music is fabulous and the voice work is top notch. The gags and puns come fast and the cartoon is loaded to the brim with them. Who cares whether it is plot less, it is amazing to look at, it is entertaining and very clever. 10/10 Bethany Cox

This is the kind of cartoon that would have influenced Chuck Jones.

Books come to life with its title characters.

So Dr Jekyll, Fu Manchu, The Phantom of the Opera and Frankenstein start it off with a little song and dance routine.

The Thin Man shows up. Later it is the turn of The Invisible Man and Topper.

You have to be familiar with the 1930s references. So The Informer look like Victor McLaglen. Heidi sings a song in the style of Cab Calloway. The House of the Seven Gables are Clark Gable.

It is rather clever and amusing although some of the references are of its time.

Before this short begins, there is a little written prologue about the racist nature of some of the humor in the film--as a sort of warning. I appreciate this instead of just censoring or hiding the film, as it IS a part of our history (for good or bad).

The color in this film is quite nice--vivid and better than the average 30s cartoon. What follows are a long series of mostly lame jokes where books come to life--with characters coming off the pages. The Asian and Black characters are a bit overdone (especially with the large-lipped Black cartoon characters), though compared to a lot of the images of Blacks in films of the time, this is relatively benign. I am not excusing it--but it could have been and often was a lot worse! Unfortunately, despite a clever idea and nice animation, I must also admit that most of the jokes weren't that funny and there was too much singing. On the plus side, however, there were lots of references to famous Hollywood films and actors, so lovers of classic Hollywood will probably enjoy this more than the average viewer. Not great but compared to the average cartoon of the 1930s, this is actually a bit better than average. Cartoons of the 40s would evolve for the better--with far less singing, better laughs and an edge--all which are problems with "Have You Got Any Castles?".