IMDb RATING
6.0/10
5.1K
YOUR RATING
Archaeologists defile the tomb of mummified Kharis, who was buried alive for falling in love with an Egyptian princess.Archaeologists defile the tomb of mummified Kharis, who was buried alive for falling in love with an Egyptian princess.Archaeologists defile the tomb of mummified Kharis, who was buried alive for falling in love with an Egyptian princess.
- Awards
- 1 nomination total
Eduardo Ciannelli
- The High Priest
- (as Eduardo Cianelli)
Cecil Kellaway
- Mr. Solvani
- (as Cecil Kelloway)
Sig Arno
- The Beggar
- (as Siegfried Arno)
Nick Borgani
- Bar Patron
- (uncredited)
James Crane
- King Amenophis
- (archive footage)
- (uncredited)
Jerry Frank
- Egyptian Thug
- (uncredited)
Zita Johann
- Princess Ananka
- (archive footage)
- (uncredited)
Featured reviews
One of a long long list of remakes of the original The Mummy (1932) and the first of 4 movies within the first Mummy franchise.
Now what struck me immediatly was the fact that the production values and general appearance of the movie are considerably weaker than the original which you wouldn't expect since it was made almost a decade later.
Second though advertised as a horror it most certainly isn't, this is closer to a comedy by far especially since our two leads crack wise from start to finish and much of it is really quite ahead of its time.
Once again we see an expedition go terribly wrong as a mummy rises from the dead and.........you know the rest.
Though it all looks pretty terrible the acting and writing is better than the original and though I'd certainly not say The Mummy's Hand is a good film I can definetly see the appeal.
The Good:
Some great characters
Some great writing and great comedy
Has a real charm
The Bad:
Looks even more dated than the 1932 original
Fall apart in the final act
Things I Learnt From This Movie:
Even our comedic leads were more convincing than Tom Cruise in the 2017 remake
Now what struck me immediatly was the fact that the production values and general appearance of the movie are considerably weaker than the original which you wouldn't expect since it was made almost a decade later.
Second though advertised as a horror it most certainly isn't, this is closer to a comedy by far especially since our two leads crack wise from start to finish and much of it is really quite ahead of its time.
Once again we see an expedition go terribly wrong as a mummy rises from the dead and.........you know the rest.
Though it all looks pretty terrible the acting and writing is better than the original and though I'd certainly not say The Mummy's Hand is a good film I can definetly see the appeal.
The Good:
Some great characters
Some great writing and great comedy
Has a real charm
The Bad:
Looks even more dated than the 1932 original
Fall apart in the final act
Things I Learnt From This Movie:
Even our comedic leads were more convincing than Tom Cruise in the 2017 remake
This movie wisely decides to proceed on a different track entirely than the masterful Karloff "The Mummy". Very few horror films could match the earlier entry for sheer atmosphere and dreamy menace.
Instead, "The Mummy's Hand" opts more for adventure, with a generous helping of laughs thrown in. We follow the trail of two American treasure hunters as they seek the lost tomb of Ananka. Little do they know that the tomb is protected not only by a fanatical cult, but also the living mummy Kharis, who has become the guardian of the woman he once loved. Dick Foran is extremely likable as Steve Banning and seems like a regular guy. As wise-cracking sidekick Babe, Wallace Ford sometimes annoys but not to the point where you actually want to see him get killed. Peggy Moran is fiery and most attractive as Marta. Naturally she winds up butting heads with Steve and naturally they are attracted to each other.
Two grand old actors really liven things up. Cecil Kellaway is delightful as the scatterbrained magician the Great Solvani who bankrolls the expedition. And George Zucco has a signature role as Andoheb, sinister high priest of the cult of Karnak who controls Kharis. Much time is devoted to the workings of the Karnak cult and the mechanisms that animate Kharis. The lore of the tanna leaves starts here. Nine are needed to fully animate Kharis, but if he ever drinks the brew of 10 tanna leaves, "he will become a monster the likes of which the world has never seen". Sadly, we never really see what Kharis would be like with an overdose of tanna leaves.
Cowboy star Tom Tyler makes for a creepy mummy in his few scenes. Totally lacking the charismatic presence of Karloff, he instead opts for the familiar crawling lurch that would later become a parody. His blacked out eyes are particularly unnerving.
A little bit too much comedy and not quite enough Kharis keep this from being really top notch, but it's still quite an enjoyable programmer.
Instead, "The Mummy's Hand" opts more for adventure, with a generous helping of laughs thrown in. We follow the trail of two American treasure hunters as they seek the lost tomb of Ananka. Little do they know that the tomb is protected not only by a fanatical cult, but also the living mummy Kharis, who has become the guardian of the woman he once loved. Dick Foran is extremely likable as Steve Banning and seems like a regular guy. As wise-cracking sidekick Babe, Wallace Ford sometimes annoys but not to the point where you actually want to see him get killed. Peggy Moran is fiery and most attractive as Marta. Naturally she winds up butting heads with Steve and naturally they are attracted to each other.
Two grand old actors really liven things up. Cecil Kellaway is delightful as the scatterbrained magician the Great Solvani who bankrolls the expedition. And George Zucco has a signature role as Andoheb, sinister high priest of the cult of Karnak who controls Kharis. Much time is devoted to the workings of the Karnak cult and the mechanisms that animate Kharis. The lore of the tanna leaves starts here. Nine are needed to fully animate Kharis, but if he ever drinks the brew of 10 tanna leaves, "he will become a monster the likes of which the world has never seen". Sadly, we never really see what Kharis would be like with an overdose of tanna leaves.
Cowboy star Tom Tyler makes for a creepy mummy in his few scenes. Totally lacking the charismatic presence of Karloff, he instead opts for the familiar crawling lurch that would later become a parody. His blacked out eyes are particularly unnerving.
A little bit too much comedy and not quite enough Kharis keep this from being really top notch, but it's still quite an enjoyable programmer.
Around 1940, Universal began a new series of "B" horror films. Most ran just over an hour and featured the studio's cast of monsters. "The Mummy's Hand" (running 78 minutes) and better than most of the series, brings back the Mummy, who had last appeared in 1932 with Boris Karloff in the title role. This time the role is filled by veteran western performer Tom Tyler who gives a chilling performance as Kharis the mummy.
Dick Foran (also a veteran of ridin' the range) as an out of work archaeologist and Wallace Ford as his partner (and comic relief) set out to finance an expedition to find the lost tomb of an ancient Egyptian princess and all the riches therein. Along for the ride are Cecil Kellaway as the expedition's backer and Peggy Moran as his daughter and Foran's love interest. The venerable George Zucco plays the High Priest and villain of the piece. Eduardo Ciannelli has a nice bit as the old High Priest who hands over his power to Zucco.
The film suffers from its "B" mentality and budget limitations but the mummy sequences are among the best that Universal has ever done. The temple setting is also very impressive. Universal would replace Tyler as the Mummy with Lon Chaney Jr. for three subsequent and inferior sequels.
Still and all, "The Mummy's Hand" ranks as a pretty good "B" horror film.
Dick Foran (also a veteran of ridin' the range) as an out of work archaeologist and Wallace Ford as his partner (and comic relief) set out to finance an expedition to find the lost tomb of an ancient Egyptian princess and all the riches therein. Along for the ride are Cecil Kellaway as the expedition's backer and Peggy Moran as his daughter and Foran's love interest. The venerable George Zucco plays the High Priest and villain of the piece. Eduardo Ciannelli has a nice bit as the old High Priest who hands over his power to Zucco.
The film suffers from its "B" mentality and budget limitations but the mummy sequences are among the best that Universal has ever done. The temple setting is also very impressive. Universal would replace Tyler as the Mummy with Lon Chaney Jr. for three subsequent and inferior sequels.
Still and all, "The Mummy's Hand" ranks as a pretty good "B" horror film.
Not a sequel to Boris Karloff's THE MUMMY (1932), but the start of an entirely different series of unrelated films featuring a new mummified prince called Kharis. A group of amateur but likable treasure seekers search for the tomb of an ancient princess, but they encounter the still-living mummy instead, bent on destroying anyone who would dare defile the ancient Egyptian gods.
While not a great Universal horror movie by any means (one critique would be the re-usage of the same exact shot again and again of Kharis shambling about in the wilderness) this was the first and best of four Universal films featuring the mummy Kharis. At this stage of the game the formula was still fresh and not at all clichéd or monotonous, so that already places HAND at a distinct advantage over its other sequels and spin-off's. Tom Tyler makes one very creepy mummy, all arthritic and twisted, with weird eyes that are optically blackened out for full effect in chilling closeups (albeit the same repeated closeup). George Zucco takes top honors as the deliciously mad High Priest who keeps the mummy alive and killing via the sacred brew of nine ancient tana leaves. Dick Foran, Wallace Ford, Cecil Kellaway and the perky Peggy Moran are all very pleasant as the awkward explorers who stumble upon Kharis' cursed tomb. Comic relief is well used throughout, but never becomes intrusive, as the action always remains dead serious whenever the mummy takes center stage.
*** out of ****
While not a great Universal horror movie by any means (one critique would be the re-usage of the same exact shot again and again of Kharis shambling about in the wilderness) this was the first and best of four Universal films featuring the mummy Kharis. At this stage of the game the formula was still fresh and not at all clichéd or monotonous, so that already places HAND at a distinct advantage over its other sequels and spin-off's. Tom Tyler makes one very creepy mummy, all arthritic and twisted, with weird eyes that are optically blackened out for full effect in chilling closeups (albeit the same repeated closeup). George Zucco takes top honors as the deliciously mad High Priest who keeps the mummy alive and killing via the sacred brew of nine ancient tana leaves. Dick Foran, Wallace Ford, Cecil Kellaway and the perky Peggy Moran are all very pleasant as the awkward explorers who stumble upon Kharis' cursed tomb. Comic relief is well used throughout, but never becomes intrusive, as the action always remains dead serious whenever the mummy takes center stage.
*** out of ****
MORD39 RATING: *** (of ****)
THE MUMMY'S HAND is my favorite mummy film and easily the best in the Universal "Kharis" saga.
Dick Foran, Wallace Ford, Cecil Kellaway, and Peggy Moran make a very pleasant group of amateur explorers as they search out the tomb of Princess Ananka in Egypt. What they stumble upon instead was the first (in a now played-out) deadly mistake: a living mummy.
Kharis is a bandaged monstrosity kept alive by a high priest (George Zucco in his most sinister role) and is a protector for his long-lost love. When Zucco feeds him a fluid brewed from nine tana leaves, Kharis is kept stalking and dealing death to those who dared enter his lair.
Tom Tyler is for my money the best choice to portray the mummy. He creeps and crumbles perfectly, even gaining effect from his dark, staring eyes in chilling close-ups.
Some fans complain about the intrusive comedy during the film, and while I too am unforgiving of such practices, in this case I think they help the festivities rather than detract from them. All in all, THE MUMMY'S HAND remains one of the better efforts from the 1940's and definitely the best of the Kharis pictures.
THE MUMMY'S HAND is my favorite mummy film and easily the best in the Universal "Kharis" saga.
Dick Foran, Wallace Ford, Cecil Kellaway, and Peggy Moran make a very pleasant group of amateur explorers as they search out the tomb of Princess Ananka in Egypt. What they stumble upon instead was the first (in a now played-out) deadly mistake: a living mummy.
Kharis is a bandaged monstrosity kept alive by a high priest (George Zucco in his most sinister role) and is a protector for his long-lost love. When Zucco feeds him a fluid brewed from nine tana leaves, Kharis is kept stalking and dealing death to those who dared enter his lair.
Tom Tyler is for my money the best choice to portray the mummy. He creeps and crumbles perfectly, even gaining effect from his dark, staring eyes in chilling close-ups.
Some fans complain about the intrusive comedy during the film, and while I too am unforgiving of such practices, in this case I think they help the festivities rather than detract from them. All in all, THE MUMMY'S HAND remains one of the better efforts from the 1940's and definitely the best of the Kharis pictures.
Did you know
- GoofsA little before 15 minutes into the movie, Professor Andoheb refers to "the Inca ruins in Mexico", yet the Incas never were in Mexico. In reality, the Incas were centered in Peru with their empire stretching from Ecuador to northern Chile.
- Quotes
Babe Jenson: Hey Steve, can a dame go crazy from being sawed in half too many times?
- ConnectionsEdited from The Mummy (1932)
Details
- Runtime1 hour 7 minutes
- Color
- Aspect ratio
- 1.37 : 1
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