Report from the Aleutians

Director John Huston, while a member of the U.S. Army Signal Corps in 1943, creates an Academy Award winning documentary, which he narrates with assistance from his actor father Walter, treating of the Armed Forces' successful effort to prevent the fall of the Aleutian Islands to advancing Japanese troops who had captured several islets. Although no claim can be reasonably made that this location was of major strategic importance during the War, it presented enormous tactical and logistic difficulty for those assigned there, and Huston's color film demonstrates the determined ensemble work upon the outpost of Adak by a wide range of military specialists who combat loneliness and boredom along with notably severe weather conditions. The work was made over a six month period, and is climaxed by the preparations for, followed by an actual filming of, a bombing run over Japanese-occupied Kiska, wherein Huston nearly lost his life, and which is significant for its combat footage and for the atmosphere of suspense present in the viewer who wonders if all will return safely.

Probably the only production that you will ever see that got filmed on the Aleutian Islands, John Huston's Academy Award-nominated "Report from the Aleutians" looks at the day-to-day lives of the troops stationed on said islands during World War II. There's little footage of the planes going into combat; it's all about the men in uniform and what they do while in service.

Obviously the documentary is propaganda. If we're going to defend that, then it's only because in World War II, we went after the country that attacked us, rather than mire ourselves in a fruitless occupation of an unrelated country, resulting in thousands killed (yeah, I'm still pointing that out).

Whatever the case, there are some great shots of the islands, with ample narration by Huston and his dad. I bet that the two of them had a lot of fun making this. No doubt Huston had a lot of stories to tell Humphrey Bogart upon returning to Hollywood.

The Second World War ranged all over the globe, from Europe to Asia, the Atlantic to the Pacific, the jungles of New Guinea tot he arctic oceans around the Aleutian Islands. This short documentary concerns the last.

I didn't realize it was John Huston talking at first. Just as he grew n old age to resemble his father physically, here he sounds like him -- when it isn't actually Walter Huston talking. We get a lot of talk about soldiers in the miserable environment, with no girls, no picture shows, no girls, and even candy bars rationed. And no girls.

The copy that appears on Turner Classic Movies looks battered and worn. It also shows signs of its origins, having been shot in 16mm before being transferred to 35mm for theatrical release.

A nice and fairly accurate portrayal of combat in the Aleutians. One item I thought very interesting was the lack of mention regarding the large Canadian contribution to this theater. I would have to guess it was not considered appropriate for the home audience in the US at the time. Considering the minor theater the Aleutins seemed to be view as it is a great tribute to this campaign. I found the scenes of vastness of the area amazing. The views of old aircraft in action would be of great interest to aviation fans. For most people, I'm sure this is film will be the only views of the Aleutian Islands most people will ever see! Certainly require viewing for any WWll buff!

One of John Huston's contributions to the war effort. His engaging voice narrates the facts of being in the armed forces and stationed on one of the Aleutian Islands, which extend southwestward from Alaska. The narration begins with an unsparing look at the geography of the archipelago -- rough and volcanic, treeless, and a merciless climate.

By the time of this release, the Japanese had landed on Kiska, one of the outer islands, and had made a naval feint to distract the US fleet from a defense of Midway. The feint failed. The on-and-off conflict with the Japanese went on for some time, mostly consisting of our bombing their positions whenever the weather allowed. In the end, the US Army landed on the Japanese-held islands only to find they had folded their tents and silently stolen away.

The documentary is kind of stuck with a description of humdrum work in a dreary place, leading to an extended salute to the men who run the supplies in and out of Dutch Harbor, the engineers who drive the bulldozers. The men wear old-fashioned campaign hats, carry Springfield rifles with old-fashioned long bayonets, and some wear the broad-brimmed pre-war steel helmets.

We see the usual scenes. Mail call is a treasure. The food is awful -- powdered eggs and canned this-and-that. They play old songs on guitars and harmonicas. Everyone attends services by Catholic, Protestant, and Jewish chaplains. No booze, no women. However, the troops are cheerful and morale is high. Nothing can blunt the keenness of these gum-chewing boys in their parkas.

There are some finely done shots of airplanes taking off and landing -- P-39s, P-38s, P-40s, B-17s, B-26s, and B-24s. It's startling to see an airplane like the P-38, with its tricycle landing gear, plowing at speed through a foot of water and creating a moving fountain of gray that masks the airplane itself except for its dark nose which juts out ahead of the watery curtain.

The film ends with a bombing mission of nine B-17s over Kiska. It's no more alluring than life back in Dutch Harbor although far more dangerous. There are bursts of flak, and though there have been casualties on other missions, this one returns safely.