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Slander

  • 1956
  • 1h 21m
IMDb RATING
6.4/10
549
YOUR RATING
Ann Blyth and Van Johnson in Slander (1956)
In an effort to improve the circulation of his notorious scandal magazine, unscrupulous owner, editor and publisher H. R. Manley spares nobody.
Play trailer3:01
1 Video
30 Photos
Film NoirCrimeDrama

In an effort to improve the circulation of his notorious scandal magazine, unscrupulous owner, editor and publisher H. R. Manley spares nobody.In an effort to improve the circulation of his notorious scandal magazine, unscrupulous owner, editor and publisher H. R. Manley spares nobody.In an effort to improve the circulation of his notorious scandal magazine, unscrupulous owner, editor and publisher H. R. Manley spares nobody.

  • Director
    • Roy Rowland
  • Writers
    • Jerome Weidman
    • Harry W. Junkin
  • Stars
    • Van Johnson
    • Ann Blyth
    • Steve Cochran
  • See production info at IMDbPro
  • IMDb RATING
    6.4/10
    549
    YOUR RATING
    • Director
      • Roy Rowland
    • Writers
      • Jerome Weidman
      • Harry W. Junkin
    • Stars
      • Van Johnson
      • Ann Blyth
      • Steve Cochran
    • 21User reviews
    • 7Critic reviews
  • See production info at IMDbPro
  • Videos1

    Official Trailer
    Trailer 3:01
    Official Trailer

    Photos30

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    Top cast33

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    Van Johnson
    Van Johnson
    • Scott Ethan Martin
    Ann Blyth
    Ann Blyth
    • Connie Martin
    Steve Cochran
    Steve Cochran
    • H.R. Manley
    Marjorie Rambeau
    Marjorie Rambeau
    • Mrs. Manley
    Richard Eyer
    Richard Eyer
    • Joey Martin
    Harold J. Stone
    Harold J. Stone
    • Seth Jackson
    Philip Coolidge
    Philip Coolidge
    • Homer Crowley
    Lurene Tuttle
    Lurene Tuttle
    • Mrs. Doyle
    Lewis Martin
    Lewis Martin
    • Charles Orrin Sterling
    Malcolm Atterbury
    Malcolm Atterbury
    • Byron
    • (uncredited)
    Theona Bryant
    • Receptionist
    • (uncredited)
    Robert Burton
    Robert Burton
    • Harry Walsh
    • (uncredited)
    Alexander Campbell
    Alexander Campbell
    • Cereal Company Executive
    • (uncredited)
    Claire Carleton
    Claire Carleton
    • Elsie
    • (uncredited)
    Robert Carson
    Robert Carson
    • Allen J. 'Frank' Frederick
    • (uncredited)
    Richard Collier
    Richard Collier
    • Bill King--Magazine Staffer
    • (uncredited)
    Paul Engle
    Paul Engle
    • Boy
    • (uncredited)
    Jonathan Hole
    Jonathan Hole
    • Cereal Company Executive
    • (uncredited)
    • Director
      • Roy Rowland
    • Writers
      • Jerome Weidman
      • Harry W. Junkin
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews21

    6.4549
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    Featured reviews

    7bkoganbing

    Keep It Confidential

    Though Van Johnson is the subject of the Slander, the driving force behind this film is Steve Cochran as the cynical publisher of a supermarket tabloid magazine. He's one scary dude who has no feelings and no one can reach him, not even his mother Marjorie Rambeau.

    Back in 1957 Confidential Magazine which was the prototype of things like the National Enquirer of today was publishing all kinds of exposes on celebrities. Cochran's rag is also looking to do an expose on Van Johnson who is a newly popular host of a kid's show. Back during the Depression he committed a holdup and did his time and Cochran wants an to expose him. Cochran though will back off if he will give him some dirt on another girl who grew up on his block who became a big movie star.

    Cochran is such a rat that he approaches Johnson through his wife Ann Blyth. This raises all kinds of issues in their marriage.

    Slander also makes some subtle references to the tactics of the House Un American Activities Committee and how they would 'trade up' with immunity if someone would give them a bigger prize.

    Johnson and Blyth turn in some good performances, but it's really Cochran you have to watch. He will thoroughly creep you out.
    6marcslope

    Surprisingly tight little B

    The excesses of '50s tabloid journalism, embodied by the Confidential-like magazine portrayed herein, get a solid shellacking in this minor MGM production. It's written by the often-interesting Jerome Weidman and directed by the often-boilerplate Roy Rowland, and it was made at just the right moment to capture the public's love-hate relationship with scandal sheets. A couple of details don't ring true: Would the puppeteer (Van Johnson, quite OK) really become a major TV personality from these tired kiddie sketches, and are we really to blame the reptilian editor (Steve Cochran, excellent) for what happens to Johnson's son? And the climax involving Cochran's mother (Marjorie Rambeau) I don't believe for an instant. But it's worth a look as a portrait of the glam life at the time, with posh two-bloody-Mary lunches and Park Avenue apartments and big, big cars.
    6LeonLouisRicci

    Expose Ruined by Overt Sentimentality

    Not without interest and surely applicable Today, this expose of Tabloid Journalism and what used to be called "Scandal Sheets/Rags" is cold and overly sentimental at the same time. It never seems to find its groove and what is left is a noble, cheap looking misfire.

    Van Johnson's Character is sugary sweet, His Wife is barely memorable, and the Son is used for a most overwrought and ludicrous ending. There is some edge to the Movie but it wavers sometimes, with some stiff situations and the look of a TV Production.

    Worth a view for its B-Movie effort done by a Major Studio that couldn't seem to go all the way with anything more than the weakest and predictable of conclusions. It is Melodramatic when it should have been darkly cynical. The TV appearance by the Star, unintentional or not, is eerily reminiscent of Nixon's Checkers Speech.

    By the way, Slander is Spoken...Libel is Written.
    tdoa

    surprisingly good little hidden treasure

    Saw this on TCM yesterday (thank you TCM for unearthing so many great little unknown movies) and was riveted from beginning to end, all the more so, because it's suddenly so relevant with the whole News o/t World debacle going on at present. I liked the fact that the suspense hinged on an ethical dilemma and was excellently acted by all, even Van Johnson, who is one of my least favorite actors, was convincing. Impressive was Steve Cochran, whom so far I have only seen in "pretty boy" roles and proves to be an actor of a lot more depth and gravitas. I agree with some of the statements that the ending was rather melodramatic and for me rather unsatisfying the way it played out. I wanted to see our villain suffer much more for his misdeeds (or I would have given it a 10 out 10). Particularly noticeable was the very natural acting of the young actor, who played Van Johnson's & Ann Blyth's son, whereas most young actors of the old Hollywood days relied mostly on cute posturing and almost rote delivery of their lines. Catch it when it plays again on TCM
    5bmacv

    Curious period piece about heyday of "scandal sheets"

    A curious period piece not without interest, Slander was made in the heyday of guttersnipe periodicals like "Confidential," that ruined show-biz careers and blackmailed victims into spilling dirt on bigger prey. Steve Cochran portrays the oily gossip publisher, a bachelor with a strangely solicitous relationship with his alcoholic mother (Marjorie Rambeau). In trying to dig up the goods on a beloved Broadway star, he zeros in on Van Johnson as a boyhood pal, a third-rate puppeteer who has finally got his big break in the new medium of television. Alas, the puppeteer once served four years in the hoosegow for armed robbery, despite the fact that he's now a devoted family man with wife (Ann Blyth) and son (Richard Eyer) in tow. Van Johnson refuses to knuckle under to the blackmail demands, and much melodrama ensues. Today, with a no-holds-barred press with almost non-existent restraints when it comes to public figures, Slander looks a bit quaint. But in the 50s, these tactics -- which probably wouldn't have been tolerated except for the parallel phenomenon of McCarthyism -- were seen as a deadly threat to the studios and their stars. Scandal, made at MGM under Dory Schary, is Hollywood's overwrought (and none too good) response. The following year, Alexander Mackendrick's chillingly dark Sweet Smell of Success (with Burt Lancaster and Tony Curtis)trod much the same ground in a far more memorable way.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Puppets in the movie were designed and operated (except in long shots) by Jack Shafton, who is listed as the uncredited puppeteer. Additional manipulation was by Bob Hume. Two of the figures are in the collection of The Magic Castle in Hollywood, and one in the collection of the Dallas Puppet Theater.
    • Goofs
      Although the movie is titled "Slander", there is no evidence that any of the characters were a victim of that crime, which refers to a malicious false statement. From the evidence, all of the stories, particularly that of the hero, presented in the scandal magazine were true.
    • Quotes

      H.R. Manley: Mother, do you realize what I have done? Do you have any conception of the size of my accomplishment? In less than two short years, I have built up the biggest newsstand circulation of any magazine in America. And you ask me to walk away from it because of a few stupid remarks on a television program?

      Mrs. Manley: You don't really think it's really one TV program? Why, this has been going on for nearly two years... ever since you started the magazine. You have been constantly rebuffed... constantly attacked. And it makes me feel ashamed. I don't want to be ashamed of my son.

      H.R. Manley: Mother, you have nothing to be ashamed of. I am giving the people of this country something they... something they not only want but something they need. I'm giving them the truth. Every month more than 5 million of them walk up to their newsstands. They're not bribed... they're not threatened. They come because they want what I have to sell.

      Mrs. Manley: That same argument could be advanced by the people who sell opium to the Chinese persons.

      H.R. Manley: The truth is not an opiate. The truth never really hurt anyone.

      Mrs. Manley: It didn't do Governor Chetnam's daughter much good.

      H.R. Manley: Governor Chetnam's daughter did not attempt suicide because of anything I said about her. She did it because neurotic, sick, weak people are always attempting to find an excuse to... to dramatize themselves in the eyes of the world. If she hadn't used me, she would have found another. Some day she will find another excuse. Will I be at fault then?

      Mrs. Manley: I'm no prophet. I can't predict what will happen. But I do know what has happened.

    • Crazy credits
      Opening credits are shown over gossip magazines coming towards the camera. When they are gone, the remaining credits are shown in a puddle of black ink.
    • Connections
      Remake of Studio One: A Public Figure (1956)

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    Details

    Edit
    • Release date
      • January 18, 1957 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • A Public Figure
    • Filming locations
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA(Studio)
    • Production company
      • Metro-Goldwyn-Mayer (MGM)
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $926,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      1 hour 21 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.66 : 1

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