Show Biz Bugs

I have always adored Looney Tunes, and Show Biz Bugs is a big example of why. While not one of my absolute favourites, I still love it for many reasons. The animation is wonderful, everything is drawn with great smoothness and the colours are gorgeous. The standout sequence in this regard was the Tea for Two sequence, not in a while have I seen animation so elegant. The music is energetic, characterful and full of lush orchestration. The humour is just as effective. You may have seen some of the gags before, but I still find them hilarious. I especially like the gag with the xylophone and the explosive. The dialogue has its usual wit, with Daffy getting the best lines. The dancing is beautifully choreographed, Daffy's tap dance is quite nifty and one does wonder why he didn't garner the applause he ought to have done. I do agree that it is Daffy who steals the show, I just love how overly-competitive he is. Of course there are shorts that are more effective at seeing him at his best, which is mainly in manic mode, but he is still funny here. That is not to say that Bugs isn't good, he still outsmarts his foil, here it is Daffy, as you'd expect, but here is a Bugs who plays it straight rather than the crafty and arrogant Bugs we are more familiar with. For a cartoon with his name in it, he is not as prominent as Daffy which is why the title is somewhat ironic. Mel Blanc's vocals are superb as always. All in all, lots of fun. 9.5/10 Bethany Cox

Fun Bugs and Daffy short directed by Friz Freleng. This one has Bugs and Daffy both performing at a theater, where Daffy is upset to learn that Bugs is getting top billing. When he's told this is because Bugs is the bigger star, Daffy sets out to upstage his rival. A very funny series of gags follows as Daffy tries one thing after another to get over with the crowd. The animation is good, with bright colors and nicely-drawn characters and backgrounds (although the backgrounds are of that slightly sketchy, slightly off-kilter style that was becoming popular in the mid-to-late '50s). Excellent voice work from the great Mel Blanc. The music is bouncy and lively. This is a fun short that any fan of Bugs or especially Daffy will like. The Bugs/Daffy rivalry was rarely funnier than it is here.

It's the battle of egos and who is the real show business star: Bugs Bunny or Daffy Duck. The marquee bills Bugs as the star but Daffy will have none of that. He confronts the manager, who says Bugs has "more drawing power." Daffy replies, "Oh, yeah? That rabbit couldn't draw flies if he was covered with syrup. Okay, this performance will show I am the star!"

With that, the two go on stage with their vaudeville act, beginning with the tap dance duo number, complete with the top hat, tails and canes. By the way, the artwork in this cartoon is exceptional: great drawings and startling color.

Daffy's solo tap dance is terrific and I also laughed at his trained "pigeon act." Mostly though, it's just the duck's comments that evoke the most laughter. I was amazed how straight Bugs played it in this cartoon. It's really not his but Daffy's cartoon. Bugs actually plays a low-key, nice guy. I think this would have been better had Bugs had a little more of his spark to him, although obviously it was smarter to just say little and let the egotist duck make a fool of himself.

Although Bugs plays the title role, Daffy is the real star of this show and gets the most screen time. Bugs fans, of course are happy because once again Bugs outsmarts Daffy. But Daffy fans will enjoy the true genius of the Duck. Bugs may have more charisma but Daffy has more heart. Daffy is more like a human being, flawed yet lovable while Bugs seems to be too much of an ideal character.

. . . or element of entertainment naturally, while others are doomed to fail miserably no matter how hard they try. One can think of Harold Hill or the yoyo salesman, or the red-faced buffoon and the geriatric debate opponent, or Bugs Bunny and Daffy Duck. The first mentioned in each of the above pairings seems to be the inevitable winner, while the latter member of these duos appear to be eternally cursed. Mr. Hill can sell bassoons to igloo builders as he turns the librarian into a sadder but wiser gal, and transforms the school board into a barbershop quartet. On the other hand, he who rhymes with "T" stands for fool. Daffy usually falls into this category, as well.