The Fighting Prince of Donegal

The 1966 Walt Disney film, The Fighting Prince of Donegal was a bright memory for those of us who saw it first run in 1966. My friends and I bought the book upon which the film was based. It was an opportunity to consider Irish history not told in the encyclopedia and the junior high textbooks available in our town. We followed the acting career of Susan Hampshire as far as we could.

For extra fun, We wrote short fictional stories and scenes to embellish parts we liked. We also wrote new fiction time travel stories based using these historic Irish settings. It was a lot of fun.

I write this to say that we hope someday to find the film, hope to buy it, and see it again. Should anyone be listening, this is a film that should be brought back out for sale.

Peter McEnery in a good early role as "Red" Hugh O'Donnell, the head of the O'Donnell clan and the hope of Ireland in its war against the English. Rising to fulfill the legend that he will set Ireland free, McEnery sets out to win the other clans to band with him to stand against English dominance. McEnery rises to the energy and enthusiasm of the role, and blends well with cast members Andrew Keir, Susan Hampshire, Tom Adams. His fight sees him clashing with Gordon Jackson, who is a superb villain as the lord in charge in Dublin. Because it's Disney, it isn't bloody or over-violent. Look for a very young Maurice Roeves as Martin, the servant boy. Great fun for all.

If not as good as the films that Walt Disney put out in the Fifties with Richard Todd, The Fighting Prince Of Donegal is a return to that swashbuckling era of Disney live action films. Peter McEnery in the second of two films he made for Walt Disney Studios is a dashing head of the O'Donnell clan of Donegal. McEnery is Hugh O'Donnell succeeding his father, also Hugh O'Donnell. And the Irish being a people attached to mystical prophecy have it on record that when a Hugh succeeds a Hugh its time to rise and kick the English out.

McEnery had previously done The Moonspinners for Disney with Hayley Mills as his co-star. But Hayley had grown up and left the Magic Kingdom and in a role I'm sure that was meant for Mills, Susan Hampshire steps in as the daughter of Andrew Keir head of the McSweeney clan.

The Fighting Prince Of Donegal is based on a true story that was not hardly the lighthearted romp that McEnery and his mates seem to have chastising the English occupiers. Another reviewer covered the real story quite nicely. I will say that a true telling of the tale would hardly have been good for the audience that Disney films were trying to reach.

Still The Fighting Prince Of Donegal holds up quite well though adult audiences might find it a bit hard to take. Save it for the juvenile trade.

Walt must have been thinking of tying into the "young rebel" trend of the '60s. This is a tale of a generic young Irish nobleman during the Elizabethan era, rebelling against a generic English colonial master (this was made just before the modern troubles broke out.) He gains generic friends and allies, is imprisoned, escapes, leads a generic merry chase all over Ireland, and rescues his generic lady fair from the generic castle.

All that's missing is Herbie the Love Bug! Not once is anyone in any terror of bloodshed. Even Snow White had her frights but Walt, in his dotage, must have been losing his taste or his nerve.

The one real bright spot is the cast full of gonna-be's of British Stage and Screen, including Gordon Jackson, Susan Hampshire, Donal McCann and Maurice Roëves. If nothing else, the director had an eye for serious talent.

Almost good, but 'The Fighting Prince of Donegal' just falls short.

It goes through too many peaks and troughs to be classed as enjoyable, but I do like the vibe of the film and the idea of the premise; which begins slowly, hits a purple patch before frustratingly reverting back immediately; quite literally given how the plot 'progresses'.

The casting, meanwhile, is solid if not perfect. Peter McEnery (Hugh) and Susan Hampshire (Kathleen) both do impressive things in earlier 1960s productions 'The Moon-Spinners' and 'The Three Lives of Thomasina' respectively, but they don't work together here; I sense zero chemistry between them or their characters. Gordon Jackson (Capt. Leeds) is my pick of the rest.

Should've been better. 6*.