Lost Command

Having seen Pontecorvo's "La Battaglia di Algeri" (The Battle of Algiers) which is an excellent French docudrama my attention was drawn to this. I have to say that it is a good movie which not only serves as an entertaining drama (unlike the previously mentioned which was more documentary-like), but a reasonable record of some of the issues facing Algeria, France and society at the time. The choice of George Segal in the role of as Mahidi was particularly odd but reflects the era when it was made. Alain Dellon was in his prime at the time (and very good looking). Anthony Quinn as Raspeguy also surpasses many of his other roles in being highly engaging and convincing without the need, as was the case of some of his other roles, to resort to comedy. Two hours long but a lot packed in. The action sequences are well handled.

Perhaps because it came out so soon after Pontecorvo's classic "La Battaglia di Algeri" (The Battle of Algiers), "The Lost Command" got, well, lost. That's too bad, because I saw this movie only once about 20 years ago, but still recall it vividly as a surprisingly well-done action film spiced with social commentary that doesn't overwhelm the whole.

Anthony Quinn is especially believable as a hard-bitten professional soldier who manages to rise to high command in spite of his peasant birth. Alain Delon is his pretty boy right-hand and George Segal has a particularly interesting turn as an Arab serving with Quinn and Delon in Indochina at the film's beginning who is radicalized upon returning to his native Algeria and takes up arms against his former comrades.

The highlight of the film is its retelling of the Battle of Algiers, with Quinn in the role of the real-life para colonel Jacques Massieu.

The battle scenes are well-done and realistic, especially the opening sequence, which is set in the final, desperate hours at Dien Bien Phu in 1954. Despite being well-made and underrated, this film is not often shown on television, so you'll probably have to rent it.

The more honored documentary like film, The Battle for Algiers by Gillo Pontecorvo is considered the last cinema word on the subject of the title and this film is often overlooked. Yet Lost Command has a lot to recommend it and it's a pity it doesn't get more acclaim than it does.

This is a retelling of a part of the Algerian War for Independence which ate like a cancer at the French body politic. For reasons best left to French historians, the Fourth Republic of France when it was created after World War II, decided to reassert it's sovereignty over its colonial possessions. France was then involved with a whole lot of brushfire wars in its colonies.

The film opens actually in French Indochina at the Battle of Dienbienphu where the French got themselves surrounded and the guerrillas they had been fighting for years came out in the open. Among others surrendering was Anthony Quinn's regiment of paratroopers which included the unit historian Alain Delon and George Segal an Algerian Moslem serving in the French army.

Quinn is a tough and charismatic leader of his troops who's risen up through the ranks to become a Lieutenant Colonel. He's not got any family connections, but he's not above making a few of his own by romancing the widow of his commander Michelle Morgan to get out of the doghouse he's found himself in. The French army as in the days of Dreyfus is looking for scapegoats for Dienbienphu.

Quinn gets command of a new unit of paratroopers assigned to Algeria and upon getting there finds his old comrade Segal now thoroughly radicalized and fighting for independence. Quinn sees an opportunity for promotion and a chance to clear himself if he does a good job in Algeria. Delon is horrified by the brutality of the war on both sides, even more so when he's made a fool of by Claudia Cardinale who is Segal's sister and seduces him into allowing her access to the French command headquarters.

Though the French gave independence to their other African colonies like French West and French Equatorial Africa and Tunisia and Morocco, for some reason they wanted to hang on in Algeria. In their minds they deluded themselves into thinking that it was part of metropolitan France. After the action in this film concludes, the Fifth Republic was formed and Charles DeGaulle returned to power for the express reason of dealing with the bloody war in Algeria. Only DeGaulle had the prestige and clout to get the French to quit Algeria. It was a personal and political risky position to take as DeGaulle soon found out. Time has proved the wisdom of what DeGaulle did.

In a way all of the leading characters either get what they want or are proved right. You'll have to see the film to get my meaning.

The film was shot in Spain which served as Algeria. The battle scenes are excellently done and the players are all well cast. By all means catch this film if it is shown on television.

The Viet Cong commander spoke Chinese Contonese dialect to his troops and his troops responded in Cantonese too? How come the French commander still had the fun, splashing water to his fellow soldiers when trudging across the river?

The fighting scenes were well arranged, but all the scenes after the French troops became POWs were unbelievably absurd. Then all the scenes with women were simply too Hollywood soapy and disgustingly lame.

I watched this out of interest to see how the French experience of Dien Bien Phu might be portrayed, but this was only a small part of the film, and that dissappointment carried on for the whole film. This is another of those generic war films where the tactics are unrealistic to the point of idiocy, the kit and equipment is whatever comes to hand rather than attempting anything but the vaguest way, and the story is fairly daft too. Only worth watching for the novelty value of its subject matter,