Forced to trade his valuable furs for a well-educated escaped slave, a rugged trapper vows to recover the pelts from the Indians and later the renegades that killed them.Forced to trade his valuable furs for a well-educated escaped slave, a rugged trapper vows to recover the pelts from the Indians and later the renegades that killed them.Forced to trade his valuable furs for a well-educated escaped slave, a rugged trapper vows to recover the pelts from the Indians and later the renegades that killed them.
- Awards
- 3 nominations total
- Scalphunter
- (uncredited)
- Kiowa
- (uncredited)
- Scalphunter
- (uncredited)
- Scalphunter's woman
- (uncredited)
- Kiowa
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Savalas is great as the bandit leader, dangerous blow-hard that he is; though not too intelligent, he's still a lot smarter than the other idiots under his rule (including a bearded Dabney Coleman in an early role). His main squeeze is the cigar-chomping floozy Shelley Winters, hamming it up as much as the otherwise all-male cast. Davis, in an odd contrast, comes across as the most sophisticated of the whole bunch, despite supposedly being a slave his entire life; he also proves to be the most duplicitous; he's not simply honorable and disappoints Lancaster more than once. Maybe director Pollack was sneaking in some commentary on the outmoded superior standing of the white race by this point, though I think it was wishful thinking that Davis could get away with as much as he does here in the 19th century. In all, the actors prove to be good hams to the very end.
It's a rollicking good mixture of comedy with some very serious themes involved. It's also the last time Lancaster did any really athletic roles as he was 55 when making The Scalphunters. We all bow to old age at some point.
Sydney Pollack actually started his association with Burt Lancaster on the set of The Young Savages where he was an acting coach to some of the street kids who were playing gang members. It was his first introduction into motion pictures, he had previously directed and acted in a number of television productions.
Burt is fur trapper Joe Bass who gets an offer from the Kiowa Indians he can't refuse. They'll relieve him of his year's trappings in beaver pelts and he'll get an educated house slave in Ossie Davis. Davis seems born to be a slave, he escapes it from the south, then he's captured by the Comanches who then trade him to the Kiowas and then he's forced on Lancaster.
Lancaster is planning to get his pelts back, but a murderous gang of Scalphunters beat him to it and massacre almost the whole band and take Lancaster's furs along with horses and scalps that bring a good bounty. Burt's Joe Bass is not exactly a boy scout, but this crowd truly nauseates him.
The Scalphunters are headed by Telly Savalas and his cigar smoking refugee from a bordello of a woman, Shelley Winters. Winters has the best performance in the film, this is her third film with Lancaster with whom she had a self documented fling back in the day. Later on Davis gets captured by The Scalphunters and he has to use his wits to survive among them. But they're going to Mexico where slavery has been abolished.
The laughs are mixed in with some serious racial issues all around. Lancaster can't quite accept Davis as an equal, Davis is perfectly willing to go along with The Scalphunters and their genocidal war on the Indians if he'll obtain his freedom through them. And Savalas and his crowd are as mean a bunch as you'll ever see in a film, yet some of the funniest bits in the film involve Winters and Savalas.
The Scalphunters is a really funny western that if you think about it teaches some good lessons we could all use.
The film of today certainly seem to be targeted for a ' a different generation" as often I have to switch the box over to see if there is something wrong with the stereo settings as all I can hear is music and a very muffled speech.
I find the older films, as in this case, to be irreplaceable and standing in support of the old saying "they don't make 'em like that anymore" With taking anything away from the modern ladies of the screen, were can you find another Shelly, warm, funny, voluptuous with a distinctive class she retained to the end. Ossie Davis, irreplaceable and a gutsy person to play his part with the obvious dedication with which he did.(no wonder he won over hearts and minds) I doubt if the is a black actor with such dedication to that role today as Ossie was then.
Burt and Telly. as usual, delivered first rate parts in what proved to be good all round entertainment value. Amazingly enough my 13 year old son sat through it and thoroughly enjoyed it. Which cant be a bad achievement from our generation of old timers.
I gave ******** out of 10 stars.
It's a comedic action western. It has its fun. It has its drama. As a buddy western, I would have liked Lancaster and Davis to stay together. I had expected them to run into Two Crows soon after the introduction of the Scalphunters. That's a fun relationship that deserves more time. Sometimes, the comedy is too light. All in all, this is what it is and it's a pretty good western from Sydney Pollack.
Did you know
- TriviaBurt Lancaster had met Ossie Davis on the historic Martin Luther King "Civil Rights March on Washington" on Aug. 28, 1963. This chance meeting led to the talented Davis being cast as "Joseph Winfield Lee", the runaway slave who uses his clever, resourceful ways to manipulate fur trapper "Joe Bass" (Lancaster) in the film. Lancaster also stated that first time screenwriter William W. Norton submitted such a unique, clever script, that he just had to do the film.
- GoofsSet in 1860, Joseph mentions the planet Pluto, discovered in 1930.
- Quotes
Joseph Lee: [walking behind Joe Bass and his horse] What about me, sir?
Joe Bass: I'll just sell you to the highest bidder.
Joseph Lee: Could you mske that to a Comanche, sir?
Joe Bass: You seem to have an uncommon prejudice against service to the white-skinned race!
Joseph Lee: I don't mean to be narrow in my attitude. Could I ask you what's your name, sir?
Joe Bass: Joe Bass.
Joseph Lee: Well, Mr. Bass, couldn't you kind of consider me a captured Comanche?
Joe Bass: [both Joe Bass and his horse turn around and do a 'take']
Joseph Lee: I came on my own two feet as far as those Comanches. It was my intent to circle south as far as Mexico. The Mexicans have a law against the slavery trade, and since those Indians captured me from other Indians. I have now got full Indian citizenship.
Joe Bass: Joseph Lee, you ever study the law?
Joseph Lee: No, sir.
Joe Bass: Well, neither did I, but you ain't got a chance in hell of calling yerself an Indian! You're an African slave by employment, black by color!
- ConnectionsFeatured in Film Review: Burt Lancaster (1968)
- SoundtracksIn Our Lovely Deseret
(uncredited)
Lyrics by Eliza R. Snow
Music by George Frederick Root
Performed by Shelley Winters
- How long is The Scalphunters?Powered by Alexa
Details
- Runtime1 hour 42 minutes
- Color
- Aspect ratio
- 2.35 : 1
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