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Ivan Vasilyevich Changes His Profession

Original title: Ivan Vasilevich menyaet professiyu
  • 1973
  • TV-G
  • 1h 28m
IMDb RATING
8.2/10
20K
YOUR RATING
Ivan Vasilyevich Changes His Profession (1973)
AdventureComedySci-Fi

An ordinary Soviet building manager, living in the 20th century, looks like Tsar of All Rus' - Ivan IV the Terrible (1530 - 1584). He'd never known this, until his neighbor created a time ma... Read allAn ordinary Soviet building manager, living in the 20th century, looks like Tsar of All Rus' - Ivan IV the Terrible (1530 - 1584). He'd never known this, until his neighbor created a time machine.An ordinary Soviet building manager, living in the 20th century, looks like Tsar of All Rus' - Ivan IV the Terrible (1530 - 1584). He'd never known this, until his neighbor created a time machine.

  • Director
    • Leonid Gaidai
  • Writers
    • Mikhail A. Bulgakov
    • Vladlen Bakhnov
    • Leonid Gaidai
  • Stars
    • Yuriy Yakovlev
    • Leonid Kuravlyov
    • Aleksandr Demyanenko
  • See production info at IMDbPro
  • IMDb RATING
    8.2/10
    20K
    YOUR RATING
    • Director
      • Leonid Gaidai
    • Writers
      • Mikhail A. Bulgakov
      • Vladlen Bakhnov
      • Leonid Gaidai
    • Stars
      • Yuriy Yakovlev
      • Leonid Kuravlyov
      • Aleksandr Demyanenko
    RENT/BUY
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    • 45User reviews
    • 9Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos186

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    Top cast35

    Edit
    Yuriy Yakovlev
    Yuriy Yakovlev
    • Ivan Vasilyevich Bunsha…
    Leonid Kuravlyov
    Leonid Kuravlyov
    • George Miloslavsky
    Aleksandr Demyanenko
    Aleksandr Demyanenko
    • Shurik
    Saveliy Kramarov
    Saveliy Kramarov
    • Feofan
    Natalya Seleznyova
    Natalya Seleznyova
    • Zinaida Mikhaylovna Timofeyeva
    Natalya Krachkovskaya
    Natalya Krachkovskaya
    • Ulyana Andreyevna
    • (as Natalya Belogortseva-Krachkovskaya)
    Natalya Kustinskaya
    Natalya Kustinskaya
    • Yakin's Lover
    Vladimir Etush
    Vladimir Etush
    • Anton Semyonovich Shpak
    Mikhail Pugovkin
    Mikhail Pugovkin
    • Karp Savelyevich Yakin
    Sergey Filippov
    Sergey Filippov
    • Swedish Ambassador
    Eduard Bredun
    Eduard Bredun
    • Trader of Radio Components
    • (as E. Bredun)
    Aleksandr Vigdorov
    Aleksandr Vigdorov
    • Strelets
    • (as A. Vigdorov)
    Valentin Grachyov
    Valentin Grachyov
    • Strelets
    • (as V. Grachyov)
    Natalya Gurzo
    Natalya Gurzo
    • Nurse
    • (as N. Gurzo)
    Ivan Zhevago
    Ivan Zhevago
    • Doctor
    • (as I. Zhevago)
    Anatoliy Kalabulin
    Anatoliy Kalabulin
    • Strelets
    • (as A. Kalabulin)
    Nina Maslova
    Nina Maslova
    • Tzaritza Marfa Vasilyevna
    • (as N. Maslova)
    Anatoliy Podshivalov
    Anatoliy Podshivalov
    • Lieutenant
    • (as A. Podshivalov)
    • Director
      • Leonid Gaidai
    • Writers
      • Mikhail A. Bulgakov
      • Vladlen Bakhnov
      • Leonid Gaidai
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews45

    8.219.6K
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    Featured reviews

    scribbler-2

    The best in Russian comedy. Bulgakov's revival.

    An adaptation of Mikhail Bulgakov's story based on a grotesque collision of different historical periods. Some visual humor involved. A couple of awkward chases and a lot of awesome jokes. One of the best Russian comedies, second to none except 'Brilliantovaya ruka' by the same film director.

    It is interesting that the film spans not only the time of Ivan the Terrible and the 70's but also the 20's when Bulgakov's original was written. Although the influence of the 20's is mainly atmospheric, it is nevertheless visible in the fact that most of the character's names sound funny in the way usual for the satirical literature of that period.

    Contrary to what may seem to a foreign audience, the chase sequences in the movie serve only as a rather ineffectual background for the main comical action, which is almost entirely verbal and basically relies on the combination of contemporary language with its archaic counterpart of the 16th century - a detonating mixture that is guaranteed to kill the native-speaking audience.

    Considering the fact that the movie is featuring some of the most popular Soviet actors, it is not surprising that this low-budget and obviously slap-dash production has managed to gain the nationwide reputation of a classic, with most of its memorable quotes nearly approaching the status of catch-phrases.

    The film can be tentatively recommended to advanced learners of Russian and certainly to all those who specialize in the study of this language.
    yvonne-5

    A very funny film; plenty of comic action around Moscow and district.

    Shurik (a character in several other comedy films) is experimenting at home with an invention which goes wrong and puts him, a passing burglar, and the apartment supervisor back into the time of Ivan the Terrible. There are a lot of chases and action, so you can still enjoy the film even if some of the Russian dialogue passes you by. Good views of several historic buildings, and an insight into 1973 Moscow as well as a bit of a history lesson. Not all Russian films are doom and gloom.
    10kassha-1

    A visual feast!

    For those Americans who cannot understand the movie and appreciate it entirely, I suggest that you watch it for its visual value. I myself have moved out of Russia when I was 7 so I did not get to study the history culture and language of Russia that much, so movie like these I use as an educational tool. I've learned a lot about the clothes, speech, and history from this movie than I did anywhere else. My heart is more in this than perhaps yours might be, but educationally this film is worth it, as well as providing humor and fun. It's not a preachy, soapy, cramped kind of comedy. It is fast paced, energetic, and fun.
    7reelreviewsandrecommendations

    Back In The U.S.S.R.

    In early 1970's Moscow, scientist Shurik toils in his apartment trying to create a working time-machine. He is dedicated to the task, so dedicated he barely registers it when his wife leaves him. One day, Shurik successfully transports himself back to the time of Ivan The Terrible, taking with him a burglar and the superintendent of his building. While Shurik makes it back to the present, there is one problem: the other two are left in the 1500's and Ivan the Terrible has come home with him. So begins a raucous tale combining science-fiction, comedy and history: Leonid Gaidai 's 'Ivan Vasilievich Changes His Profession.'

    Based on the play 'Ivan Vasilievich' by Mikhail Bulgakov, the film tells a wild tale that is sure to entertain. A successful combination of science fiction with comedy, it contains much broad humour, as well as many witty moments and acerbic set pieces. The Tsar's reactions to the contemporary world and its' trappings makes for fantastic satire, highlighting the cultural juxtaposition between the Russia of the past and (that which was then) the present. One also may learn a little about the country's history from the film- though to rely on it as a teaching aide for that purpose would be folly. While the ending is a little underwhelming, the film is a crazy, funny trip through time that is full of delights.

    'Ivan Vasilievich Changes His Profession' is also a visually striking movie, with Vitali Abramov and Sergei Poluyanov's naturalistic cinematography being strong, though slightly traditionalist in terms of composition and framing. The production design- overseen by Yu. Fomichov and Yevgeni Kumankov- is stylish, making everything on screen seem deeply textured and intricate. The set and location design and decoration is of an especially high, rich quality, bringing life and realism to the picture; which works as a counterbalance to the fantasy of the narrative.

    Nadezhda Buzina's costume design brings additional authenticity to the film, with her detailed work lingering in the mind long after the credits have ceased to roll. Her outfits for the Tsar are particularly impressive, not to mention appearing reasonably period accurate. Aleksandr Zatsepin's musical score also impresses, being highly atmospheric and stirring. He makes good use of traditional- and not so traditional- numbers throughout- with the film's version of 'Marusya' being most memorable. Additionally, Klavdiya Aleyeva's editing should be mentioned, as it is effective, keeping the somewhat chaotic proceedings coherent and moving at a steady pace.

    All in the cast are fantastic, clearly having a ball with the movie. Yury Yakovlev plays a dual role as the Tsar and the Superintendent, delineating both characters as individuals through the depth of his physicality. He is terrific as both men, and will really make you laugh. Leonid Kuravlyov plays the burglar, and is equal parts charming and deceitful. Kuravlyov brings a lot of good-natured humour to the role, and is immensely likable. Aleksandr Demyanenko has less to do as Shurik, but does it well, and the supporting cast can't be faulted. Of particular note is Natalya Seleznyova, playing Shurik's wife. She has impeccable comic timing, and steals the few scenes she's in completely.

    Leonid Gaidai's 'Ivan Vasilievich Changes His Profession' is a wacky comedy with science-fiction elements that has a lot going for it. The story and screenplay is full of witty dialogue and wild scenarios, as well as being satirical, featuring much irony and social commentary, about (what was then) contemporary Russia and its' past. The cast perform admirably, the visual style is distinct- if sometimes orthodox- and the score is rousing. While the film may lose steam near the end, 'Ivan Vasilievich Changes His Profession' is a terrific tale of time travel that is an awful lot of fun.
    8samanthamarciafarmer

    Very amusing slapstick back to the future flick!

    Ivan Vasilievich Changes Profession is a film capable of appealing to audiences outside the Soviet Union with its universally smart humor. From the onset it is obviously influenced by Western cinema; one cannot tell if Shurik's bedroom is Russian or American until Mussorgsky's Boris Godunov begins playing from the TV. This homogeneous consumer culture is evident all throughout the film, especially in the luxuries of Shpak's apartment, the electronics black market, and the character of Shurik's wife (in the dream plot line). In fact, Shurik's wife in the separate dream world seems almost a caricature of Hollywood with her posters and dreams of falling in love with Yakin and finding fame. Gaidai's camera work utilizes quick photography. This is exemplified in the episode in which Miloslavsky is robbing Shpak's apartment and cannot get out; Gaidai cuts to the many faces of statues and paintings that, in context, are shocked and seem to mock him. This is an amusing riff on the Kuleshov Effect. The sets themselves are also fantastic, and Ivan's (the tsar, not the bureaucrat) palace appears lifted straight out of Eisenstein's 1947 feature. Ivan Vasilievich (both of them), too, is an exact copy of Eisenstein's tsar, pointy beard and all! These visual homages would have been obvious, one assumes, to Russian audiences of the time and surely would have made it all the more comedic. However, Gaidai's humor is not intrinsically Russian, like earlier Soviet comedies, but appeals internationally. The humor lies in the situational: the police/Oprichniki chase, the switching of identities, the mad scientist, even a regal food fight. The only context clues to the time are slight jabs at Soviet rations, the black market, and housing codes. These tropes give the film the ability to transcend the trappings of a fifteen- minute fame, and allow it to be just as funny, if not more, decades later.

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    Storyline

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    Did you know

    Edit
    • Trivia
      In the banquet scene, they display a spoonful of eggplant caviar ("a foreign product") next to bowls of red and black caviar. This is a dig at the lack of consumer goods in the Soviet Union, where red and black caviar were almost impossible to find so Soviet citizens made do with an eggplant confection described as "caviar."
    • Goofs
      When Ivan the Terrible is standing in the elevator, he is crossing himself with three fingers. That wouldn't been done until 1653, 79 years after his death. Before that Russian-Orthodox were crossing themselves with two fingers.
    • Quotes

      Ivan the Terrible: I had a man Iike you. He made wings.

      Engineer Alexander Sergeyevich Timofeyev: Well?

      Ivan the Terrible: What do you mean, well? I put him on a gun-powder barrel. It made him fly! Ha-ha!

    • Crazy credits
      The opening credits say: The "experimental artist union" presents: a non-science-, fictitious, a not quite realistic and a not accurate historical movie
    • Connections
      Featured in Itogo: Episode #5.6 (2001)
    • Soundtracks
      S lyubovyu vstretitsya
      ("To meet with a love")

      Written by Aleksandr Zatsepin and Leonid Derbenyov

      Performed by Nina Brodskaya

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    Details

    Edit
    • Release date
      • June 1973 (United States)
    • Country of origin
      • Soviet Union
    • Languages
      • Russian
      • German
    • Also known as
      • Ivan Vasilievich: Back to the Future
    • Filming locations
      • Suzdal, Russia
    • Production company
      • Mosfilm
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 28 minutes
    • Color
      • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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