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A married woman and her lover murder her husband and dump his body into a well, but his ghost returns to haunt them as the local gossip intensifies.A married woman and her lover murder her husband and dump his body into a well, but his ghost returns to haunt them as the local gossip intensifies.A married woman and her lover murder her husband and dump his body into a well, but his ghost returns to haunt them as the local gossip intensifies.
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In 1895, in a small village in Japan, the wife of the litter carrier Gisaburo (Takahiro Tamura), Seki (Kazuko Yoshiyuki), has an affair with a man twenty-six years younger, Toyiji (Tatsuya Fuji). Toyiji becomes jealous of Gisaburo and plots with Seki to kill him. They strangle Gisaburo and dump his body inside a well in the woods, and Seki tells the locals that Gisaburo moved to Tokyo to work. Three years later, the locals gossip about the fate of Gisaburo, and Seki is haunted by his ghost. The situation becomes unbearable to Seki and Toyiji when a police authority comes to the village to investigate the disappearance of Gisaburo.
"Ai no Borei" is a surreal and supernatural love story. The remorse and the guilty complex of Seki make her see the ghost of her murdered husband, spoiling the perfect plot of her lover. The cinematography is jeopardized by the quality of the VHS released in Brazil, but there are very beautiful scenes, inclusive "Ringu" and the American remake "The Ring" use the view of the well from inside in the same angle. The performances and direction are excellent making "Ai no Borei" a great movie. My vote is eight.
Title (Brazil): "O Império da Paixão" ("The Empire of Passion")
"Ai no Borei" is a surreal and supernatural love story. The remorse and the guilty complex of Seki make her see the ghost of her murdered husband, spoiling the perfect plot of her lover. The cinematography is jeopardized by the quality of the VHS released in Brazil, but there are very beautiful scenes, inclusive "Ringu" and the American remake "The Ring" use the view of the well from inside in the same angle. The performances and direction are excellent making "Ai no Borei" a great movie. My vote is eight.
Title (Brazil): "O Império da Paixão" ("The Empire of Passion")
Seki and her lover Toyoji decide to devise a plan to get rid of Gisaburo, Seki's husband, in order to be together.
A good old Japanese horror classic from the late 70s, about betrayal and revenge.
Asian cinema is full of gems of this kind, a calculated, psychological terror and with the right dose of drama.
Here, the supernatural figure is an allegory to the feeling of guilt and remorse, which consumes and destroys the human kind.
The story isn't rich in content and doesn't have a complex plot, nothing really happens besides focusing on the two main characters and the criminal act they committed, but that is enough to make it interesting.
The cinematography is good, as well as the sets, which makes a tense and enveloping atmosphere and mood.
A good old Japanese horror classic from the late 70s, about betrayal and revenge.
Asian cinema is full of gems of this kind, a calculated, psychological terror and with the right dose of drama.
Here, the supernatural figure is an allegory to the feeling of guilt and remorse, which consumes and destroys the human kind.
The story isn't rich in content and doesn't have a complex plot, nothing really happens besides focusing on the two main characters and the criminal act they committed, but that is enough to make it interesting.
The cinematography is good, as well as the sets, which makes a tense and enveloping atmosphere and mood.
***SPOILERS*** ***SPOILERS*** First, let me state that I am a huge film buff, but unfortunately somewhat new to Japanese films. I also want to clarify something that seemed unclear in previous reviews I've read here. The English title "In the Realm of Passion" appears to be truly an exploitive maneuver (probably by the director or studio executive) to lure the viewer into thinking that this is somehow related to "In The Realm of the Senses". It has nothing in common except that it's set in feudal japan, the plot involves a scandalous affair, starring the same leading male actor, and it's directed by the same director. the story and characters are not directly related in any way. I expected tons of steamy sex scenes, possibly involving the "in the..senses" characters.This is not that kind of movie.That having been said, I still liked it, and found it to be very haunting and disturbing at times.
BIG-TIME SPOILERS AHEAD In a nutshell, the story involves a boring, ignorant, (but diligent) husband who who goes about his daily business of providing for his family, which includes 2 children and a wife-who happens to be having an affair with a much younger man. Together their foolish passions ignite a ridiculous plot to kill her husband, after she gets him drunk on saki. They dump his body in a well and try to live their life as though nothing had happen. It isn't long before the village starts to doubt the wife's story about her husband being "out of town". Shortly after his death, the slain husband appears as a desolate, confused ghost, which tortures the now going insane wife. Soon an inspector arrives and probes deeper into the lover's tangled web...SPOILER END Even though the story is somewhat of a cliché, I feel it hasn't really dated. I found the tale truly creepy, and to me gave me a unique window into life in feudal Japan. I felt the undertone of a silent thriller, that would lead up to jagged little moments of shock, and suspense. I was slightly annoyed by the lead actress's "whiny" nature but thought, overall, everyone pulled it off. An interesting movie, that quietly grabs you, and slowly pulls you in. This may sound bizarre, but I kept feeling the same creepiness of "the Ring" ("Ringu") The well scene, themes of the undead, the ominous forest were all themes in comon with that thriller. Check it out.
BIG-TIME SPOILERS AHEAD In a nutshell, the story involves a boring, ignorant, (but diligent) husband who who goes about his daily business of providing for his family, which includes 2 children and a wife-who happens to be having an affair with a much younger man. Together their foolish passions ignite a ridiculous plot to kill her husband, after she gets him drunk on saki. They dump his body in a well and try to live their life as though nothing had happen. It isn't long before the village starts to doubt the wife's story about her husband being "out of town". Shortly after his death, the slain husband appears as a desolate, confused ghost, which tortures the now going insane wife. Soon an inspector arrives and probes deeper into the lover's tangled web...SPOILER END Even though the story is somewhat of a cliché, I feel it hasn't really dated. I found the tale truly creepy, and to me gave me a unique window into life in feudal Japan. I felt the undertone of a silent thriller, that would lead up to jagged little moments of shock, and suspense. I was slightly annoyed by the lead actress's "whiny" nature but thought, overall, everyone pulled it off. An interesting movie, that quietly grabs you, and slowly pulls you in. This may sound bizarre, but I kept feeling the same creepiness of "the Ring" ("Ringu") The well scene, themes of the undead, the ominous forest were all themes in comon with that thriller. Check it out.
Empire of Passion is Nagisa Oshima's follow up to his infamous 1976 film In the Realm of the Senses. Based on a novel by Itoko Namura, Empire details the love affair between a young soldier and an older woman.
Toyoji is becoming more and more obsessed with Seki, the wife of a rickshaw jockey. He begins by bringing her little treats and having tea with her while her husband is at work, then eventually works his way up to raping her. Of course, seeing as this is a Japanese film, Seki ends up enjoying the rape and falls head over heels for Toyoji.
The only problem facing the newfound couple's domestic bliss is Seki's husband, Gisaburo. Fortunately, Toyoji thinks of a solution - homicide. So the pair hatch a plan wherein Seki will ply her husband with sake, then when he is well and truly sloshed, Toyoji will pop in for a drive-by strangulation, thus leaving the two in peace.
Everything goes according to plan and the couple dump Gisaburo's body in a disused well. Now they are free to live happily ever after or are they? When the village-people begin to gossip about Gisaburo's death and his ghost starts appearing to Seki, her daughter and random townsfolk in their dreams and, finally, reality, Seki and Toyoji begin to get a little worried.
Intertwined with the doomed lovers scenario is a traditional Japanese ghost story. Gisaburo returns as a vengeful ghost and harasses Seki while having her serve him sake and gives her a ride in his rickshaw, but in the end gets his retribution.
Empire of Passion is an entirely different film than In the Realm of the Senses, for one it has none of the explicit sex, perverse fetishes or indeed the powerful emotional pull that Senses has (no penis-lopping here folks). It's true that both films portray fanatical love affairs and show the lengths two people bloated with love can go to but they do it in two completely different ways.
In contrast to In the Realm of the Senses, which had an obsessive/possessive female lead, Empire of Passion has a young male playing the role of the infatuated lover. But once Toyoji conquers Seki and has her all to himself he begins to loose interest and she becomes the insecure one. The couple of sex scenes that are shown are not shot from an intimate, candid angle like Senses but more from a voyeur's point-of-view.
All in all Empire of Passion is a decent portrayal of illicit love set against the gorgeous backdrop of the Japanese forest. See this if you have a fondness for arty love stories and/or vengeful ghost tales.
Toyoji is becoming more and more obsessed with Seki, the wife of a rickshaw jockey. He begins by bringing her little treats and having tea with her while her husband is at work, then eventually works his way up to raping her. Of course, seeing as this is a Japanese film, Seki ends up enjoying the rape and falls head over heels for Toyoji.
The only problem facing the newfound couple's domestic bliss is Seki's husband, Gisaburo. Fortunately, Toyoji thinks of a solution - homicide. So the pair hatch a plan wherein Seki will ply her husband with sake, then when he is well and truly sloshed, Toyoji will pop in for a drive-by strangulation, thus leaving the two in peace.
Everything goes according to plan and the couple dump Gisaburo's body in a disused well. Now they are free to live happily ever after or are they? When the village-people begin to gossip about Gisaburo's death and his ghost starts appearing to Seki, her daughter and random townsfolk in their dreams and, finally, reality, Seki and Toyoji begin to get a little worried.
Intertwined with the doomed lovers scenario is a traditional Japanese ghost story. Gisaburo returns as a vengeful ghost and harasses Seki while having her serve him sake and gives her a ride in his rickshaw, but in the end gets his retribution.
Empire of Passion is an entirely different film than In the Realm of the Senses, for one it has none of the explicit sex, perverse fetishes or indeed the powerful emotional pull that Senses has (no penis-lopping here folks). It's true that both films portray fanatical love affairs and show the lengths two people bloated with love can go to but they do it in two completely different ways.
In contrast to In the Realm of the Senses, which had an obsessive/possessive female lead, Empire of Passion has a young male playing the role of the infatuated lover. But once Toyoji conquers Seki and has her all to himself he begins to loose interest and she becomes the insecure one. The couple of sex scenes that are shown are not shot from an intimate, candid angle like Senses but more from a voyeur's point-of-view.
All in all Empire of Passion is a decent portrayal of illicit love set against the gorgeous backdrop of the Japanese forest. See this if you have a fondness for arty love stories and/or vengeful ghost tales.
This is a film by Oshima, the director of the notorious "In The Realm Of The Senses", a film so sexually brazed and unabashedly controversial it was banned for a while. This film takes place initially in 1895 in Japan and stars the very pretty Keziko Yoshiyuki as Seki, the wife of a rickshaw driver who falls for a much younger man who woos her in kind. That man, Toyoji, comes to her as she was sleeping and seduces her, though she soon is rather willing to be seduced. Soon they are having an affair and plot to kill Seki's husband, to be together forever. They do, and throw him down a well. However, they didn't count on the ghost of the dead husband haunting Seki and others in the village! This film is visually very stunning, the use of shadows highlighting this tale of murder for passion. Ms. Yoshiyuki (who is still active as an actress) is especially very good in her role. Its sexual at times, but not like "In The Realm Of The Senses". Some of what ensues is up to our imagination. I found this film to have a consistency of mood that makes it very watchable. A little creepy but that goes with the territory. I'd recommend this.
Did you know
- TriviaThough a great deal is made of the two main characters' age difference in the story--Seki is supposed to be 26 years older--the actors playing them were only 6 years apart. Kazuko Yoshiyuki (Seki) was about 43, while Tatsuya Fuji (Toyoji) was about 37.
- GoofsAt 35:15 when Toyoji and Seki throw Gisaburo's body (a dummy) in the well, the dummy brushes an "icicle" which then wobbles and swings like a pendulum - apparently a prop suspended by a string.
- ConnectionsFeatured in The Man Who Left His Soul on Film (1984)
- How long is Empire of Passion?Powered by Alexa
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- In the Realm of Passion
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- Runtime1 hour 45 minutes
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- Aspect ratio
- 1.66 : 1
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