The Mean Season

Decent enough movie, with an absolutely menacing performance by Richard Jordan as the sick, deluded serial killer.

Kurt Russell was...just okay. I couldn't quite figure out what he was getting at. He was burnt out in his job with the newspaper in Miami. He seemed to be craving just the situation that he found himself in. Conversing with a serial killer, and writing about it; Having a literal front row seat at the story of the year; being the central figure in a national story; "approaching pulitzer territory". However, Russell erupted into attitude with just about everybody he came into contact with. At one point, he's smugly satisfied to have found himself to be so deeply involved in an emerging story of a sadistic serial killer, then he snaps at the killer when events aren't turning out favorably. This doesn't seem like the emotional response you would expect from a seasoned reporter. A serial killer is doing something like this just to play with the heads of authority. To expect him to behave rationally is naive and foolish.

However, Russell gamely does generally well with the character, and there are effectively troubling and suspenseful aspects to the film. The subject of newspaper ethics is broached and discussed, although I'm not sure all that effectively.

Andy Garcia, Richard Bradford and Richard Masur were excellent.

Mariel Hemingway was absolutely terrible. She either was giggling, looking completely bewildered, or hysterical. Granted, the script gave her little else to do, but a creative actress could have made something out of it. She completely distracted me every time she was on screen. Just a terrible job.

All in all, a decent, flawed movie with a first-rate performance by Jordan. He made the movie worth it.

This was a pretty good movie. Its got good suspense towards the end but it will never top BREAKDOWN, which is his ultimate suspense movie. Mariel Hemingway was a good choice, she hasn't been in much lately. I think she is still pretty. Well, Kurt does a good job. This is worth seeing and its from 1985. It has violence, language and nudity.

Based on the John Katzenbach story "In the Heat of the Summer", this Florida-lensed crime thriller does hold ones' attention with its straightforward telling of an intriguing tale.

Kurt Russell is aces as Malcolm Anderson, a star reporter for the Miami Journal who is contacted by a murderous psychopath (Richard Jordan) who has killed once and who promises that there will be other murders. The killer, who craves the spotlight, decides to use Anderson as his mouthpiece, creating a very uneasy "collaboration" between killer and reporter. Things start to really turn South when Anderson starts getting the bulk of the attention, leaving the killer feeling resentful.

This is an interesting set-up for a movie that ultimately does indeed lose a fair deal of its impact by turning conventional for its final act, but until then it's solidly entertaining, with the performances of Russell and Jordan serving as effective anchors. The give and take between their two characters is compelling stuff, and it's a good thing that Anderson isn't treated as some typically infallible movie hero.

The supporting cast is mostly strong; Mariel Hemingway as Andersons' schoolteacher girlfriend Christine is appealing as she always is, but her character has little to do besides look and act concerned and eventually be put into peril. Richard Masur (reunited with Russell, along with producers Lawrence Turman and David Foster, three years after "The Thing") is Andersons' editor, Andy Garcia (in one of his earliest movie roles) and Richard Bradford are the weary detectives on the case, Joe Pantoliano is a photographer, and the almighty movie tough guy William Smith appears briefly as a character supplying critical information.

The Miami setting adds a lot of atmosphere, especially as the storms start coming up towards the end of the story. Lalo Schifrins' music is also highly effective. Even in light of the clichéd climactic confrontation, there is some enjoyable resonance to "The Mean Season" as it deals with the big issue of journalistic culpability, and the role that the media play in our receipt of the news. An overall grim feel to the presentation, and a spooky opening, are also assets in this generally good, if not great, and reasonably convincing movie.

Seven out of 10.

This is definitely a thriller. And one of the reasons why is Richard Jordan who plays the psychopath, Alan Delour. He is so convincing he is absolutely frightening. Especially his last scenes, he gives me shivers every time I watch him. He was definitely one of the finest actors that ever was and when he passed away, we lost a great talent. Kurt Russell also did a find job as Malcolm Anderson and the two worked really well together.

Rating: ** out of ****

I must admit to having a particular fondness for the glut of crime thrillers that lasted from the late 80s to the mid-90s. Chief among these guilty pleasures are fun movies like Harold Becker's Malice, the horribly titled Jack's Back, the Goldie Hawn flick Deceived, and the terrific Jagged Edge. 1985's The Mean Season is apparently one of the earlier entries in the beginning of this trend so it earns a few points there; otherwise, it's a pretty average effort, certainly not helped by far superior films of its ilk in the years to come.

Kurt Russell stars as Malcolm Anderson, a Miami journalist who's getting burned-out covering eight years worth of deaths. Just as he's planning to leave his job behind and move with his girlfriend (Mariel Hemingway) to Colorado, his latest assignment takes him on a wild spin. While covering the murder of a teenage girl, he receives a phone call from the girl's killer himself, who reveals that he plans to take four more victims. This soon-to-be serial killer is out for fame and wants Anderson to report his crimes and whatever bits of info he chooses to give him. But as the murders progress, the killer is dissatisfied with the media coverage, believing too much of the focus is on Anderson, and as he sees it, the only way this can be remedied is by eliminating the center of attention.

Though the film is ultimately mediocre, it does get off to an effective start. The premise is fairly interesting and an instant grabber. The filmmakers' do a good job of building some mild suspense by keeping the killer's face hidden; the voice acting for this particular character is also quite effective, occasionally reminding me of the similar voice work in Joy Ride.

But the movie never really takes off like it should. Though we're intrigued by the bits and pieces of info that are revealed by the killer, very little is ultimately revealed about his motives or his past. While this is an approach that often works (The Silence of the Lambs and Seven are perfect examples), it backfires in this case, primarily because one of the more intriguing mysteries is wondering why he's duplicating these certain murders; a lot of hints are given, but trying to piece them together doesn't add up to any satisfying answers.

Once the killer's face is revealed, a lot of the movie's charm is worn off. The guy was creepy as a voice that nobody could match a face to, but feels like a generic psycho once he's fully revealed. The film also fails to take advantage of the stormy weather that's promised in the title; what could have been an instance of great visual atmosphere is totally squandered. The same goes for the Everglades setting, which I've always found had a tinge of dread and mystery to it.

For the most part the cast is quite good, especially Kurt Russell, who's one of the few movie stars out there who can exhibit a perfect balance of charisma and emotional intensity, which he does here. He's always likable, even when we think his character could use a little more common sense. A fresh-faced Andy Garcia turns in solid support as the investigating police detective. Only Mariel Hemingway comes across as subpar, but it doesn't help that her role amounts to little more than playing damsel in distress. One also wonders why Anderson and his girlfriend weren't given stronger police protection, but that's probably just for the sake of moving the plot ahead.

Middling stuff overall, but watchable enough to be worth a viewing for Russell fans or, if you're like me, you just like to watch this kind of Hollywood thriller from the 80s (and early 90s). But as far as this genre goes, all the flicks I mentioned above are preferable to this.