Steel Magnolias

Now that I've recently watched "Beaches" I feel like I need to watch this again, to compare which chick-flick I like more. Those two, plus "Fried Green Tomatoes" tend to be mentioned together as ultimate weepy chick-flicks, and I've seen them all, but I don't remember liking this one quite as much as "Beaches". I'll have to watch again to see...

UPDATE: I watched it again, and I have to say there was far more laughter than tears here, which I appreciate. "Beaches" (1988) actually made me cry more than this one, which surprised me, given the reputation of "Steel Magnolias" (1989) as being one of the ultimate tearjerkers. But, this movie shows that it's not the amount of tears, but the quality of them that makes for a great tearjerker!

The subject of losing a loved one was handled with rage, comic relief, and ultimately grace. It made me cry, without bringing me totally down, which is a kind of miracle, really.

This is a tearjerker, but not a bitter one, like "Miss You Already" is- instead, it was one wherein, as I traveled through life with these women, I felt less resentment, and had fewer regrets, despite the bitter-sweetness of it all. This movie managed to take what could be very depressing subject-matter, and inject dignity and an uplifting quality into it. By the end, I didn't feel like cursing the Almighty for allowing such suffering (as I sort of did with "Miss You Already" and to a lesser degree, "Beaches"), instead, by the end, I just had a line said by Dolly Parton's character lingering in my heart- i.e. "God works in mysterious ways." And somehow, that made it alright and gave me such comfort!

Yes, this is a tearjerker, but like it's tagline says, "It's the funniest film that'll ever make you cry!" As I said, it's far more laughter than tears here, and I mean laugh out loud moments! So, be prepared to laugh til you cry with this one! It is indeed a classic! Do I like it more than "Beaches" (1988) though? No, I don't think so, cause I have a soft spot for Bette Midler and her Easy Listening music and her comedic ways. That said, this one is right up there with it, and definitely one of the best of its kind!

An extremely episodic story of several smalltown southern women whose social lives revolve around meetings in the local beauty parlor, STEEL MAGNOLIAS' script and performances are dogged by an aura of artificiality--but it scarcely matters, for the film is a tremendous amount of fun.

Some of the performances are more successful than others, with Shirley MacLaine, Olympia Dukakis, Julia Roberts, and Darryl Hannah coming out on top (I am greatly surprised that so many other reviewers dislike Hannah's performance, which seems to me considerably less artificial than many others--but perhaps since I'm actually Southern I have a different perspective). Sally Fields and Dolly Parton are less successful, but not in any sense that actually distracts from the fun. Perhaps most surprising in a film which focuses on women are the brief but impressive performances from the male supporting cast, which includes effective performances by Tom Skerrit, Sam Shepherd, and Dylan McDermott, and which serve to ground the film with a sense of the broader community in which the women live.

The script abounds in zinging one-liners ("If you can't say something nice, come sit by me!") and often hilarious situations (imagine Olympia Dukakis surrounded by naked men in the highschool football team's locker room); it also contains some very touching segments sure to choke up all but the most heartless viewer. And although the story is extremely manipulative and rather predictable, those factors don't actually get in the way of its effectiveness. While probably not a "great film" by any serious standard, it is tremendously good-natured, well-intended, and extremely entertaining, and most people will find that it lingers pleasantly in mind and holds up well under repeated viewings.

Gary F. Taylor, aka GFT, Amazon Reviewer

"Steel Magnolias" is a movie I believe I've known about my entire life. It was released about the time I became cognizant of such things, at age four or five. I think I can remember my mum talking about it, along with "Fried Green Tomatoes", which I'm also about to watch.

The title, indeed, is unforgettable. And intriguing. The movie makes no reference to it, nor explanation. I have seen online that some people have argued it means the characters in the movie are "as delicate as magnolias, but as tough as steel". If that's true it's a fitting title.

What's more indelible, though, and what I'll know I'll remember, is Shirley MacLaine's performance as "Ouiser" - and who could forget that name. She's like the engine that powers the whole movie. The other actresses all play off her.

The movie has a bunch of other great actresses in it, though, and there's not really a weak link. Even the smaller male roles are played by great performers like Sam Shepard, Tom Skerrit, Dylan McDermott, Kevin J. O'Connor.

I wasn't sure if I was going to keep on with this movie at first. It seemed like it might be one of those flicks where the acting is great, but it's like the movie keeps you at a distance. It shows a totally believable world with some colourful characters but you're not sure where you fit in as a viewer.

I'm glad I didn't quit on it. I found the throughline eventually, which is Julia Roberts' character. I kind of knew where the movie was headed (no spoilers) because I read the movie's tagline, and it was pretty predictable. Perhaps, for that, the twist didn't have the emotional impact it should have had.

You know what? I'm going to revisit this movie later. I think it might be the kind of thing that improves on second viewing.

Every time I see this movie, I want to eat a plateful of jambalaya and smell the sweet aroma of a magnolia. No other movie I've seen quite captures the essense of southern living like Steel Magnolias. This movie has everything, hysterical comedy and satisfying drama. Everyone was great: Sally Field as M'Lynn, a mother who still worries about her very grown up daughter; Julia Roberts as Shelby, a special young woman who feels that having a baby is worth risking everything; Dolly Parton as Truvy, a lonely beautician who brightens like a light bulb when her little shop is full of "hens" : ) ; Olympia Dukkakis as Clairee, the town bigwig who loves to gossip; Daryl Hannah as Annelle, a very religious young woman who drives her friends crazy with her sudden fits of prayer; and of course who can forget Shirley McLaine as Ouiser, the grouchy old wretch who tows her pathetic dog around and mercilessly cusses out the equally obnoxious Drum (Tom Skerrit)??? A very satisfying movie for comedy and drama lovers alike. A totally feel good, yet very real movie.

This wonderful comedy drama romance tells the tale of a close knit group of six Southern women (of varying ages) in a small Louisiana town. The film gives us a glimpse into their daily lives over a period of several years, their laughter, their joy, and their tears, all through the lens of their enduring friendship.

Here are the six magnolias...

M'Lynne (Sally Field)...perhaps the steeliest of all the magnolias, who has a bittersweet relationship with her grown daughter

Shelby (Julia Roberts)...everyone's favorite girl next door, M'Lynne's endearing, diabetic daughter; we see her planning her very pink wedding (wait till you see the groom's cake!) and charting a difficult path, given her medical history

Truvy (Dolly Parton)...the married but lonely hairdresser with the heart of gold, who owns and operates Trudy's Beauty Parlor, center of social life for these ladies, site of gossip, teasing quips, and comfort

Ouisser (Shirley MacLaine)...the sarcastic spinster and cantankerous comic relief who is frequently seen carting her little dog around and exchanging barbs with her Old Nemesis, M'Lynne's husband, Drum

Clairee (Olympia Dukakis)...the charming, gossiping widow and town bigwig

Annelle (Daryl Hannah)...the shy, awkward new girl in town, who has a mysterious past and lands a job at the beauty parlor, under Truvy's mentoring

Through these six, we see the strength that lies behind the legendary Southern lady's charm (well, maybe Ouisser's not that charming!) and supposed flower fragility, their humor, their optimism, their faith, and above all, their banding together and supporting each other in the face of adversity.

I understand that this movie is based on a well known play by a famous Louisiana playwright. The women depicted in the film are by and large good Christian, church going folk, which is laudable. My initial reaction was to blame Hollywood for mocking Annelle's newfound deep faith and having her act as though she hadn't a clue in her dim witted Southern head. The playwright may have intended to cast her as going overboard and being too judgmental. If so, I personally don't consider this a kind or necessary depiction, and find Annelle to be very sincere and kind hearted.

However, otherwise this is simply a "funny tearjerker" and a great movie.