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Hamsun

  • 1996
  • Not Rated
  • 2h 39m
IMDb RATING
7.2/10
1.8K
YOUR RATING
Hamsun (1996)
Period DramaBiographyDramaWar

Norwegian Nobel Laureate Knut Hamsun's controversial support for the Nazi regime during World War II and its consequences for the Hamsun family after the war.Norwegian Nobel Laureate Knut Hamsun's controversial support for the Nazi regime during World War II and its consequences for the Hamsun family after the war.Norwegian Nobel Laureate Knut Hamsun's controversial support for the Nazi regime during World War II and its consequences for the Hamsun family after the war.

  • Director
    • Jan Troell
  • Writers
    • Per Olov Enquist
    • Thorkild Hansen
    • Jan Troell
  • Stars
    • Max von Sydow
    • Ghita Nørby
    • Anette Hoff
  • See production info at IMDbPro
  • IMDb RATING
    7.2/10
    1.8K
    YOUR RATING
    • Director
      • Jan Troell
    • Writers
      • Per Olov Enquist
      • Thorkild Hansen
      • Jan Troell
    • Stars
      • Max von Sydow
      • Ghita Nørby
      • Anette Hoff
    • 12User reviews
    • 21Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 9 wins & 2 nominations total

    Photos21

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    Top cast46

    Edit
    Max von Sydow
    Max von Sydow
    • Knut Hamsun
    Ghita Nørby
    Ghita Nørby
    • Marie Hamsun
    Anette Hoff
    • Ellinor Hamsun
    Gard B. Eidsvold
    Gard B. Eidsvold
    • Arild Hamsun
    • (as Gard Eidsvold)
    Eindride Eidsvold
    • Tore Hamsun
    Åsa Söderling
    • Cecilia Hamsun
    Sverre Anker Ousdal
    Sverre Anker Ousdal
    • Vidkun Quisling
    Erik Hivju
    • Professor Langfeldt
    Edgar Selge
    Edgar Selge
    • Terboven
    Ernst Jacobi
    Ernst Jacobi
    • Adolf Hitler
    Svein Erik Brodal
    • Holmboe
    Per Jansen
    • Harald Grieg
    Jesper Christensen
    Jesper Christensen
    • Otto Dietrich
    Johannes Joner
    • Finn Christensen
    Finn Schau
    Finn Schau
    • Læge
    Eva von Hanno
    • Sygeplejerske
    Jørgen Langhelle
    • Dommer Eide
    Rut Tellefsen
    • Fru Stray
    • Director
      • Jan Troell
    • Writers
      • Per Olov Enquist
      • Thorkild Hansen
      • Jan Troell
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews12

    7.21.7K
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    Featured reviews

    10arcticwater

    Brilliant

    One of the elements that make this film one of the most fascinating ever made is the use of language... while Knut and Marie Hamsun were Norwegians, Max von Sydow and Ghita Nørby speak Swedish and Danish respectively throughout the movie. To those not well-versed in Scandinavian languages, there is a very big difference. Most Swedes cannot understand more than 20% of spoken Danish and perhaps 60% of Norwegian. To make the comparison easier to grasp, imagine a Spanish movie where the main characters speak Portuguese and Italian. I don't know why this linguistic device was used, but the effect is remarkable. At first I figured it was a way to distance Norwegians from the main characters whom were regarded as traitors, but that theory doesn't hold since the character who plays Quisling (the man who "sold" Nazism to many Norwegians) speaks Norwegian throughout the film.

    Trivia: throughout Scandinavia the name "Quisling" is not just synonymous with "back-stabber"... it has actually become a commonplace word and is found in most dictionaries. It is comparative to the phrase "his name is Mudd" in the U.S.
    trpdean

    Fascinating, slow, penetrating study of a bad marriage with an intellectual

    I expected an entirely different movie. Having read a single review when Hamsun was released, and having heard of him only from listings of Nobel Prize winners, I thought this would be about the traducing of a man's loyalty to country, the political evolution of an intellectual celebrity's thinking. It's not.

    The movie is instead one of the most penetrating looks at a distinctive and more often than not failing, marriage I've ever seen. The examination begins after the couple have already been married 35 years; they are a tempestuous, often bitter, and jealous former author of children's books (and in youth, an actress) who desires love from her spouse - and a proud selfish ill-tempered intellectual author who lives in splendid rural isolation and admits his wife's nature disappoints him. The story of marriage is simply fascinating - even though the relations with their five children are cryptically portrayed.

    It would be hard to ever better von Sydow's performance as Hamsun (or even as a man growing very old) - or the actress (previously unknown to me)who played his wife - they are simply astounding. I definitely recommend this movie - it is in the same vein as Cries and Whispers or Scenes from a Marriage.

    The question I thought the film would address - the responsibility of someone for his words during wartime - is only glancingly struck. Without any attempt to whitewash Hamsun's written opinions favoring the Nazis who had occupied Norway, the movie's author clearly makes Hamsun more sympathetic as a human being as the movie continues.

    I think few would agree about where the line should be drawn on punishment for one's opinions in a free society - when that society is at war. Most think those from the democracies who sympathized with the Nazis and Fascists during the Second World War (e.g., Ezra Pound, Celine, deKock, P.G.Wodehouse, Hamsun) are villainous. But is this because they sided with Nazis or because they sided with their country's enemies? Surely in a free society in peacetime, Ezra Pound's anti-semitic ravings and pro-fascist sympathies would not be punished as treason - any more than those who spoke, but did nothing, in favor of Stalin in America during the 1950s were ever tried for treason.

    Clearly in a free society, the crime is not that one has taken a particular position, but that one has spoken in favor of an enemy during wartime. But if this is so, then what is one to say of those Americans who wrote to denounce the United States' war with North Vietnam? Or with Iraq? If we do refuse to label such writings as treason (and most probably do - few call for thousands of trials for treason), why? Could it be simply because neither Iraq nor North Vietnam was likely to so succeed that they would occupy the United States? If Iraq were winning so resoundingly that it now occupied parts of the United States, would writings denouncing the war and in favor of Iraq THEN be treason? Probably most would say so.

    But by what logic does treason depend on whether one is winning or losing a war?

    Further, if we assume a war between different ideologies, should those who have expressed sympathy for another country's ideology BEFORE any war - at a time when no one could have called it treason - be expected to completely forswear their former opinions the date the war is declared against that country? If so, is this not a strange definition of treason? That someone with PRE-WAR sympathies for a certain position must denounce his previous sympathies when his country goes to war against a country that shares his own beliefs?

    Must someone perform an about face from his own repeatedly expressed views -- whenever his country enters a war - or be guilty of treason? Betray yourself or you betray your country? If so, is this not a demerit in any society professing to be free?

    And yet no one can doubt that one's own country's success is badly affected (and conversely the enemy is uplifted) to the extent that influential people denounce their own government and praise the enemy - particularly when under enemy occupation.

    The issues of treason for opinions are quite complex - but are scarcely touched on in this movie.

    And that is fine - this is another movie altogether, psychologically penetrating, fascinating study of old age, of a poor marriage, of the unforeseen future as disappointment, of the yearning to die when old.
    9mireille

    An intimate portrait of complicity, a marriage and an artist that shouldn't be missed.

    The extraordinary Max von Sydow stars in this terrific film about the fine line between complicity and collaboration in the life of a Noble Prize winning writer from Norway during the Nazi occupation. But this film is also so much more than that: it is a film about the complex and heart-wrenching relations between the writer, his wife and their children. Like "The Wonderful, Horrible Life of Leni Riefenstahl," this film asks where we draw the line in holding artists responsible for their art and actions in an oft confusing world. But it takes that question a step further in examining how his art may also have cost him his relationships with his wife and children.

    This is a beautifully filmed, well-acted movie; a true character study of the inner lives of a family, particularly Knut Hamsun and his wife, Marie, evocatively portrayed by Ghita Norby. It is a subtle and slow-paced film in true Scandinavian fashion and von Sydow again shows us why he will be remembered of one of the finest actors of cinema's first 100 years. I highly recommend it, and for those who are interested in other movies dealing with this theme, especially as it relates to artists, so often regarded as naive regarding politics and how they are may be used and manipulated for political gain, I highly recommend "Mother Night," the aforementioned documentary about Riefenstahl, and "Mephisto."
    9Kalle_it

    A true gem

    To put it nice and simple, this movie is wonderful.

    Von Sydow delivers a performance worth of every Award on Earth, Ghita Norby as Hamsun's wife is also splendid, the movie is written and directed with a nice but firm hand, even on the most unpleasant portions of Hamsun's life.

    Knut Hamsun had a controversial and tormented relationship with everything and everyone in his life, as self-centered as he was. The stigma of the true genius indeed.

    His sympathy for Nazism caused him a lot of troubles when the war ended and Norway was free from the Nazi occupation and from the collaborationist government.

    Hamsun's previous opinions, albeit somewhat changed as the Germans were showing their true colours, still were enough to get him accused of treason. After the trial and an humiliating detention in a mental hospital, Hamsun got labeled as "insane", despite still managed to write a sharp and honest apologetic memoir, at 90 years of age.

    The movie capture all of that, with a level of immersion that is truly engaging and astonishing. And side-by-side with Hamsun's public success and subsequent downfall, we follow the downfall of his personal life, to a point where public and private become one.

    As said, acting is nothing short of brilliant

    The only, marginal, problem is the language... Everyone speaks Norwegian, while Hamsun and his wife speak Swedish and Danish. It's a tad weird hearing arguably the best Norwegian author in history and his wife talking to each other in a different language (neither of them being their actual one).

    But in all honesty, if the lack of language consistency was the price to pay to get such a good performance, I would gladly have Hamsun and Marie speaking French...

    FINAL VERDICT: Hamsun is graceful and brutal at the same time. A true gem.
    8i_like_music

    An interesting movie about an interesting character in our literature history

    First of all I'd like to say that this movie was more exciting than I would have thought it to be in the start. Which is always a plus. In the beginning it was odd to me that Knut Hamsun were played by a Swedish actor and his wife Marie Hamsun were played by a Danish actor. But to tell you the truth, after a while you hardly noticed the language difference. And they could probably not have found a better Knut and Marie for this movie. The movie starts right before the second world war, and the 'action' in it is mostly about the Hamsun family's life during the second world war and afterwards. It was kind sad that the movie started so late in Hamsun's life, seeing that he was around the age of 80 (?) in the war years. Because Knut Hamsun had an utterly exciting life before that, and the most of his writings were written before that. It was confusing to me who his kids were at times, seeing that they weren't introduced to us that well. This is a great movie about an Norwegian author who rather took side with the Germans during the second world war, since he despited the English. Or was he on the German side? this movie takes up this dilemma, which no one yet can be a 100% sure about. But just remember. This movie only takes the Last years of Knut Hamsun's life. You should know a few things about his life before this, if you want to understand the movie properly.

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    Storyline

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    Did you know

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    • Trivia
      Max von Sydow speaks Swedish and Ghita Nørby speaks Danish in the film despite playing Norwegians.
    • Connections
      Referenced in The Voice of Bergman (1997)
    • Soundtracks
      Fratres for violin and piano
      Composed by Arvo Pärt

      Violin by Gidon Kremer

      Piano by Keith Jarrett

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    FAQ18

    • How long is Hamsun?Powered by Alexa

    Details

    Edit
    • Release date
      • August 6, 1997 (United States)
    • Countries of origin
      • Denmark
      • Sweden
      • Norway
      • Germany
    • Languages
      • Norwegian
      • Swedish
      • German
      • Danish
      • English
    • Also known as
      • Гамсун
    • Filming locations
      • Norsk Film Studio A/S, Jar, Norway(Studio)
    • Production companies
      • Nordisk Film
      • Merkur Film
      • Svensk Filmindustri (SF)
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • SEK 40,000,000 (estimated)
    • Gross US & Canada
      • $50,000
    • Opening weekend US & Canada
      • $7,529
      • Aug 10, 1997
    • Gross worldwide
      • $50,000
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 39 minutes
    • Color
      • Color
    • Sound mix
      • Dolby SR
    • Aspect ratio
      • 1.85 : 1

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