Robinson Crusoe

What we sometimes call "classics" are nothing more than irrelevant museum pieces. Defoe's "Robinson Crusoe" is such a novel. Yes,it gives us a very literate, often compelling glimpse into another time and places... and that has it's place. But a movie is another thing. There is nothing going on in the novel except a white "Bwana" walking along the beach with his black lackey, Friday, shuffling along, shading him with an umbrella, listening to Crusoe talk about his white God. How boring is that. The writer raised the question: what if Friday was a warrior with his own god who happened to be an alligator. Ah... there's some conflict. And without conflict there is no movie, no story. Defoe's novel is a nice little journal. The movie brings life, instensity, raises questions about Friday's origins (his family) the meaning of a friendship and fills out a drama that never existed in the original.

And how is it. It is good. The story, about friendship and loneliness and also society as it was then, is good of course even if it is slightly modified. But I do not care if it is, for the actors are good and the filmmaking is too. I especially like William Takaku (Friday). He is very good and plays his role perfectly and he is of course in the best scenes of the movie, which actually doesn't start until Crusoe meets Friday. Before that meeting there are some scenes of lesser quality. But there are far more good or very good scenes, favourite scenes are: the burial, the readying of the boat, the last fight scene on the island, the last shot plus the afterwards inserted text and especially the DUEL at the end.

7 out of 10

At the risk of repeating what others have already written, this movie is not the same "Robinson Crusoe" that Daniel Dafoe wrote. While some might question whether this matters, I think it is fair, at the very least, to complain that it falsely presents itself as being something it isn't. I rented this movie to see an adaptation of Dafoe's novel, which this isn't. Lest I leave the impression that the film's "artistic license" is my only complaint, though, I should mention that this isn't a very good movie by any measure. I guess they tried to punch up the book by adding romance, conflict, and action scenes that could best be described as a curious mix of the A Team and MacGyver. Suffice to say, there are better ways for viewers to spend their time and money. 3 out of 10.

Although this is far from a faithful adaption of Daniel Defoe's classic novel from the 18th century, this version of Robinson Crusoe holds up fairly well and captures what that polemic writer was trying to say about cultures and how they clash. A number of assumptions about what his character Crusoe had about the superiority of his civilization are shattered.

Two men from totally different worlds manage to communicate and establish a friendship. To be sure it is one of necessity as Crusoe is cut off from his world and Friday, the cannibal he befriends is exiled from his tribe. Still they do get along until civilization intrudes.

Pierce Brosnan is in the title role and aborigine actor William Takaku plays Friday. Defoe himself is written into the film as he is given a purported journal written by Crusoe and as he reads it Brosnan narrates the story. Defoe is played by Ian Hart and Defoe as political polemicist as well as novelist had some advanced views considering the time he lived in.

Brosnan and Takaku do very well in their roles. It's a good story with moral if not plot intact.

This is a condensed (only 90 minutes!) film version of the ageless classic, with lots of modifications though. I give kudos to the impeccable work of the actors, and directing and editing seem to work equally well for a very nice entertainment experience.

However, as soon as I start comparing this version to the original book, I feel an immense let-down as so many things have been changed (I won't give a list because it would be just way too long). I liked the look of Robinson's island a lot, and all the buildings and mechanical contraptions were nicely designed. But for the most part, the plot was just *too* smooth, leaving out most of the meditative moments and the setbacks that the "original" Robinson experiences in the book. For such a compact film version of the long book, some cuts had to be made, though.

I won't give away the ending, but it was a) way too different from the book and b) way too brief, it even felt forced to some degree. There's lots of nice scenery, however. So there are much worse ways to kill off 90 minutes...