IMDb RATING
4.3/10
6K
YOUR RATING
Gory remake of the Gaston Leroux classic story, only this time, the phantom is not disfigured, but a man who was raised by rats deep under the Paris Opera House.Gory remake of the Gaston Leroux classic story, only this time, the phantom is not disfigured, but a man who was raised by rats deep under the Paris Opera House.Gory remake of the Gaston Leroux classic story, only this time, the phantom is not disfigured, but a man who was raised by rats deep under the Paris Opera House.
- Awards
- 2 nominations total
Featured reviews
I'm a brand new Dario Argento fan, having only seen 4 of his films (Phenomena, Tenebrae, Suspiria, and this). But I'm definitely planning to see more (my copy of Stendhal Syndrome is preordered and should be here next week). I bought this simply because it was Argento, and I was actually surprised. I was told that this was his worst film, and some even called it his swan song. I rather liked it, myself. If it is made by Dario Argento, it will be good. Dario took a few liberties, making this more of his own instead of yet another adaptation of the novel. I have to applaud him for that, even though some of it hardly makes sense. And there is the fact that electric light was not around at the time. But if you spend your life analyzing movies and hating them for the smallest detail, what's the point of watching movies? I watch to be entertained. The visuals aren't nearly as great as Suspiria, and the special effects are hardly special (you can smell a CGI shot from a mile away). Not to mention some performances. But I still liked it, because it had that Argento touch that all of is films have. Besides, Argento's worst films are still better than most of the 'horror' America has, today. I'd probably give it 3 out of 4 stars if I had to grade it. Check it out.
Yet again, a Dario Argento film that is absolutely horrible the first time, but somehow fantastic the second time you watch it. This phantom is pretty much different from the 1989 effort,starring Robert Englund, that also aimed for gory shocks and mayhem....and failed miserably. Argento's version is much better, never taking itself too seriously and telling a romantic tale that you actually care about. Julian Sands is good as the Phantom, when he learns that his lover Christine loves someone else, he listens to them kiss and he starts to sob, his acting is so good that it almost breaks your heart. Asia Argento is also a nice actress, I didn't care for her much in Trauma (and I've yet to see The Stendhal Syndrome) but her acting here has improved, she is a talented and beautiful actress. Now back to the movie itself, it's the best adaptation I've seen of the story yet, it is violent, but not too much. There's also a great sense of humour. "You will not play in Romeo and Juliet. If you defy me, I will hurt you. Do you understand me you fat cow?"
"How dare you-a speak-a to-a me-a like-a that!"(Italian accent)
The movie is really a lot of fun and I think I have a crush on Kitty Keri, but it's too bad she has her tongue ripped out.
"How dare you-a speak-a to-a me-a like-a that!"(Italian accent)
The movie is really a lot of fun and I think I have a crush on Kitty Keri, but it's too bad she has her tongue ripped out.
I believe that this version of Phantom of the Opera is one of the most unique ideas I've seen -- and believe me, I've seen a lot. I had to special order this movie just to satisfy my curiosity about it!
Phantom of the Opera - with Julian Sands - is a remarkable movie, despite it's outrageous amount of downfalls such as cheesy script. Yet there are several very good points which I will not get into at the moment. I adore the costumes for this movie - such as the overweight Carlotta's dresses. If a smaller woman were wearing the same style dress, it would look like it belonged on a Goddess...
Yes, Phantom of the Opera has it's major downfalls such as a lousy script, completely needless gore, and even over-dramatized scenes. Yet one of the only reasons I bought this film - other than the fact that it was titled Phantom of the Opera - was because of Julian Sands. It isn't his fault that he got a lousy script for a film that could've been done better.
I recommend that if you have not seen Julian Sands in any of his other films, then watch Warlock, Gothic, or any other number of his films. He is a spectacular actor when given the chance... and cute too!
Phantom of the Opera - with Julian Sands - is a remarkable movie, despite it's outrageous amount of downfalls such as cheesy script. Yet there are several very good points which I will not get into at the moment. I adore the costumes for this movie - such as the overweight Carlotta's dresses. If a smaller woman were wearing the same style dress, it would look like it belonged on a Goddess...
Yes, Phantom of the Opera has it's major downfalls such as a lousy script, completely needless gore, and even over-dramatized scenes. Yet one of the only reasons I bought this film - other than the fact that it was titled Phantom of the Opera - was because of Julian Sands. It isn't his fault that he got a lousy script for a film that could've been done better.
I recommend that if you have not seen Julian Sands in any of his other films, then watch Warlock, Gothic, or any other number of his films. He is a spectacular actor when given the chance... and cute too!
I first saw this movie on a local TV station and figured out it was the Phantom of the Opera. Since I love the musical and have seen it twice, I watched this movie. It somewhat follows the line of the real story but to make it it's own it is a little different. The Phantom actually looks a little like Fabio with his long blonde hair. He plays a very devilish character. I thought at first that this a very old rendition of the movie but when I had searched forever to figure out which one it was, it was the most recent one made. I like the bit of extra sexuality they threw in it. It adds more of a reality to the characters and their feelings for each other. It is sort of like a tacky Italian version but that's what makes it good. I really liked this version of the movie and I suggest people watch it. Again, remember that it is not like the musical in every way, it is different, but it is still good! People need to get off the bandwagon of every Phantom movie made has to follow exactly like the musical, if they were all like that, then there would only be one made, this is why they make several, different versions makes watching each one interesting to see what will be different.
Dario Argento probably wasn't trying to make a funny movie about The Phantom of the Opera. Probably wasn't, but the point is, he did. While the gore in the film is unnecessary, it is not as frequent as we may be led to believe. The film does start out fairly abruptly with a guy getting his upper half sawed off, and at this time you're wondering, "what the hell is wrong with this picture?" Other death scenes are fairly equally gruesome, but all are also expected, therefore lowering the "scary gore factor." Of course, then you see The Phantom. Now, of course, you're really confused by the blonde hair and lack of a mask. I wasn't complaining about his good looks, though. The acting on Julian Sands's part is sub-par but not horrible, while Asia Argento is somewhat better. The relationship between the two is not incredibly believable, a sort of instant-love instant-hate instant-sadness thing that just keeps the audience confused as to why Christine can't make up her damn mind. Andrea Di Stefano is likable as Raoul, but some of his scenes are just incongruous with his character.
The sexuality of the film is incredibly overdone. Argento seems to need to expose women's breasts as many times as possible, including a very large and very unattractive La Carlotta. The opium den/whorehouse scene pretty much makes the movie (along with the couple of really gory parts) rated-R because we are definitely talking full frontal nudity, both sexes, and if you aren't expecting it you are pretty much blown away.
However: despite its flaws in cinematography (annoying and constantly switching camera angles and a soap opera-like quality), below standard acting, strange and inconclusive love story, and numerous bits of unwarranted violence... there is something about this film that just makes me want to declare it a campy, a cult classic. It is absolutely hilarious to watch, though very disturbing at times. If you've got a twisted sense of humour and/or a love of the bizarre, then this version of PotO with a man sticking rats down his pants for pleasure is the kind of movie you will want to see! 5 stars out of 10 for just being fun, though about 3 stars out of 10 when watched "critically." But as I said above, "prepare thyself for camp" and you'll probably love it.
The sexuality of the film is incredibly overdone. Argento seems to need to expose women's breasts as many times as possible, including a very large and very unattractive La Carlotta. The opium den/whorehouse scene pretty much makes the movie (along with the couple of really gory parts) rated-R because we are definitely talking full frontal nudity, both sexes, and if you aren't expecting it you are pretty much blown away.
However: despite its flaws in cinematography (annoying and constantly switching camera angles and a soap opera-like quality), below standard acting, strange and inconclusive love story, and numerous bits of unwarranted violence... there is something about this film that just makes me want to declare it a campy, a cult classic. It is absolutely hilarious to watch, though very disturbing at times. If you've got a twisted sense of humour and/or a love of the bizarre, then this version of PotO with a man sticking rats down his pants for pleasure is the kind of movie you will want to see! 5 stars out of 10 for just being fun, though about 3 stars out of 10 when watched "critically." But as I said above, "prepare thyself for camp" and you'll probably love it.
Did you know
- TriviaRumour has it that Dario Argento's original cut of the film ran almost an hour longer and that the version which was finally released, has been heavily re-cut and changed by the producers to assure the film's appeal to wider audiences.
- Quotes
The Phantom: [Caressing Christine's neck from behind] Your perfume! Your feminine smell flows through my veins like the melody of the rolling ocean.
- Alternate versionsThe DVD release is the unrated director's cut while the VHS version is the R-rated cut.
- ConnectionsFeatured in The Phantom of the Opera: Behind the Scenes (1998)
- SoundtracksFaust: Overture
Music by Charles Gounod
Details
- Release date
- Country of origin
- Languages
- Also known as
- El fantasma de la ópera
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was The Phantom of the Opera (1998) officially released in India in English?
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