An adolescent lion is accidentally shipped from the New York Zoo to Africa. Now running free, his zoo pals must put aside their differences to help bring him back.An adolescent lion is accidentally shipped from the New York Zoo to Africa. Now running free, his zoo pals must put aside their differences to help bring him back.An adolescent lion is accidentally shipped from the New York Zoo to Africa. Now running free, his zoo pals must put aside their differences to help bring him back.
- Awards
- 2 nominations total
Kiefer Sutherland
- Samson
- (voice)
Jim Belushi
- Benny
- (voice)
Eddie Izzard
- Nigel
- (voice)
Janeane Garofalo
- Bridget
- (voice)
William Shatner
- Kazar
- (voice)
Richard Kind
- Larry
- (voice)
Greg Cipes
- Ryan
- (voice)
Colin Hay
- Fergus Flamingo
- (voice)
Miles Marsico
- Duke
- (voice)
Jack De Sena
- Eze
- (voice)
Don Cherry
- Penguin MC
- (voice)
Christian Argueta
- Hamir
- (voice)
David Cowgill
- Hamir
- (voice)
Lenny Venito
- Stan
- (voice)
Joseph Siravo
- Carmine
- (voice)
Colin Cunningham
- Hyrax
- (voice)
Patrick Warburton
- Blag
- (voice)
Jonathan Kimmel
- Scab
- (voice)
Featured reviews
The Wild was advertised as a movie for kids, and it lived up to it's billing. I saw it this past weekend with my 5 year-old. It had a good story line and enough action and music to keep him entertained. He has already asked can we buy it when it comes out on DVD. Since it is a clean movie I will happily get it for him. I didn't have to cringe or be on edge because of suggestive dialog or foul language like Ice Age 2 has. I don't enjoy exposing my son to entertainment that contains language he cannot repeat. If you want to treat your kids to a real kid's flick, take them to see this. It's not a contender for an Oscar, but you'll enjoy it, too.
This movie was presented to the Dutch press in a small viewing room, but we sure got a good look at it. And really: this movie isn't bad at all. But compared to Chicken Little everything looks great I suppose.
The bad thing about The Wild is the appearance of its characters. They all look like they were borrowed from a toy store. That's probably good for merchandise, but for the movie that's plain bad. In a time in which even giant gorillas can make a believable performance thanks to CGI you can wonder why Disney chose for this option.
The first 20 to 30 minutes, when all the action takes place in the zoo, is very entertaining. There's a wonderful scene that involves curling and the escape out of the zoo is big fun. But when the animals enter the wild the movie becomes rather dull. The finale is okay though.
Of course people will compare this movie to the overrated Madagascar. But because of the story - a young lion wants to be as cool as its father - it resembles The Lion King more than the Dreamworks movie. So here's the good news: I think that viewers who liked Madagascar, will enjoy this movie too. It fills up the time until the real Disney computer animated blockbuster of this year will be released: Cars.
The bad thing about The Wild is the appearance of its characters. They all look like they were borrowed from a toy store. That's probably good for merchandise, but for the movie that's plain bad. In a time in which even giant gorillas can make a believable performance thanks to CGI you can wonder why Disney chose for this option.
The first 20 to 30 minutes, when all the action takes place in the zoo, is very entertaining. There's a wonderful scene that involves curling and the escape out of the zoo is big fun. But when the animals enter the wild the movie becomes rather dull. The finale is okay though.
Of course people will compare this movie to the overrated Madagascar. But because of the story - a young lion wants to be as cool as its father - it resembles The Lion King more than the Dreamworks movie. So here's the good news: I think that viewers who liked Madagascar, will enjoy this movie too. It fills up the time until the real Disney computer animated blockbuster of this year will be released: Cars.
1st of all, I tend to agree with other users who said that The Wild isn't an original. Yeah, in a way it is not an original. Disney seem to reuse their characters, and follow a somewhat same storyline, like their previous movies.
The storyline goes that the cub, Ryan was fed-up being compared to his Dad, and wished to be in the wild. But unlike the previous Disney movies, the poor Ryan was taken to the wild by accident. So his dad & their friends went on a trip to find and rescue Ryan.
So the adventure started! They found their ways through the urban New York, down the sewer and other places you'd usually do not find that animals there.
The animation is top notch, with details on the color texture, with smooth movement by the characters. The voice-over is also superb, especially Kiefer Sutherland's lion & the cuddly koala bear, Izzerd.
All in all, the movie is good for the whole family, be it a toddler or a teenager as it has very good moral values. The story do not have foul language, unlike Ice Age. The only drawback that this movie has it that the characters are very much alike the previous Disney movies such as Open Season and Madagascar. But apart from that, this movie simply rocks!
The storyline goes that the cub, Ryan was fed-up being compared to his Dad, and wished to be in the wild. But unlike the previous Disney movies, the poor Ryan was taken to the wild by accident. So his dad & their friends went on a trip to find and rescue Ryan.
So the adventure started! They found their ways through the urban New York, down the sewer and other places you'd usually do not find that animals there.
The animation is top notch, with details on the color texture, with smooth movement by the characters. The voice-over is also superb, especially Kiefer Sutherland's lion & the cuddly koala bear, Izzerd.
All in all, the movie is good for the whole family, be it a toddler or a teenager as it has very good moral values. The story do not have foul language, unlike Ice Age. The only drawback that this movie has it that the characters are very much alike the previous Disney movies such as Open Season and Madagascar. But apart from that, this movie simply rocks!
I definitely didn't hear much about this animated Disney flick upon its release in 2006. In fact, I just rented it the other day, and I believe I had heard of it by then, but didn't know much about it, so I didn't know how well it had been received in general. I was hoping for a decent animated family flick, but when I looked this particular movie up on IMDb, I saw its low rating, and after that, I didn't have very high expectations. The best I could hope for was slightly above average, and unfortunately, I didn't even get that, even though it looked like I might around the beginning.
Samson is a lion who lives in a zoo in New York and is the father of a cub named Ryan. Samson claims he is from the wild, and often tells stories about his days out there. One night, Ryan finds himself taken away in a green box on a truck! Samson, as well as other animals at the zoo, see the lion cub taken away, so Samson sets out with some friends (a giraffe named Bridgette, a squirrel named Benny, a koala named Nigel, and a snake named Larry) to try and find Ryan. They manage to make it to the New York shoreline, where the lion cub is taken away on a boat. Samson and the gang manage to get on another boat and set out on a journey across the ocean, where Ryan has been taken. After they arrive on the other side, they find themselves in the jungles of Africa, searching for Ryan. Unfortunately, they are in danger, as Samson comes clean and confesses that he never did live in the wild, so he has no experience in this environment! To make matters worse, they will have to face an evil wildebeest named Kazar and his clan, who are determined to turn from prey to predator!
This Disney film's biggest merit is the animation, which is probably the only thing I can't say anything critical about. Without a doubt, the animation is absolutely stunning, with some very nice jungle scenery! Unfortunately, not much else about the film can match the animation, if anything. None of the characters really stand out too much, that's one thing, and the humour is another problem. I did laugh quite a few times at some of the slapstick, but found that the humour was often kind of lame, such as Nigel saying, "I've got popcorn up my bum," and a mother hippopotamus' reaction to seeing Ryan talk to her offspring. So, while I've definitely laughed less at comedies, overall, I am not impressed with the humour here. I don't know what else to say about "The Wild", except that the story is also a bit bland, and not quite as touching as it probably should be. In conclusion, there really wasn't much about this film that impressed me, and I can see why it's not the most widely recognized computer animated feature to come out in recent years.
Samson is a lion who lives in a zoo in New York and is the father of a cub named Ryan. Samson claims he is from the wild, and often tells stories about his days out there. One night, Ryan finds himself taken away in a green box on a truck! Samson, as well as other animals at the zoo, see the lion cub taken away, so Samson sets out with some friends (a giraffe named Bridgette, a squirrel named Benny, a koala named Nigel, and a snake named Larry) to try and find Ryan. They manage to make it to the New York shoreline, where the lion cub is taken away on a boat. Samson and the gang manage to get on another boat and set out on a journey across the ocean, where Ryan has been taken. After they arrive on the other side, they find themselves in the jungles of Africa, searching for Ryan. Unfortunately, they are in danger, as Samson comes clean and confesses that he never did live in the wild, so he has no experience in this environment! To make matters worse, they will have to face an evil wildebeest named Kazar and his clan, who are determined to turn from prey to predator!
This Disney film's biggest merit is the animation, which is probably the only thing I can't say anything critical about. Without a doubt, the animation is absolutely stunning, with some very nice jungle scenery! Unfortunately, not much else about the film can match the animation, if anything. None of the characters really stand out too much, that's one thing, and the humour is another problem. I did laugh quite a few times at some of the slapstick, but found that the humour was often kind of lame, such as Nigel saying, "I've got popcorn up my bum," and a mother hippopotamus' reaction to seeing Ryan talk to her offspring. So, while I've definitely laughed less at comedies, overall, I am not impressed with the humour here. I don't know what else to say about "The Wild", except that the story is also a bit bland, and not quite as touching as it probably should be. In conclusion, there really wasn't much about this film that impressed me, and I can see why it's not the most widely recognized computer animated feature to come out in recent years.
For some reason, the various Hollywood studios occasionally display almost telepathic communication. Simultaneously, seemingly independently, they release two films which are very similar. We saw it with Dante's Peak and Volcano in 1997 (Two films in which a volcano erupts in a populated area of America), Deep Impact and Armageddon in 1998 (Two films where a giant meteor is going to destroy all life on Earth) and this year saw two studios revisiting the "capsizing cruise liner" genre with the Poseidon remake and the made-for-TV The Poseidon Adventure. Why do they do this? Surely it cannot be a coincidence. And films take years to produce, so it's not like one company can see an advert for a film and rush out their own version. Maybe it's because Hollywood is not a very secretive place. Ideas and scripts are touted round all the studios before they are bought, so it's not surprising that sometimes a company will set off down similar paths.
So, after last year's Madagascar was a reasonable hit for Dreamworks, arch-rivals Disney have "independently" come up with this, The Wild. A coincidence? Let's review the evidence.
Madagascar features a group of animals who are residents of a New York zoo. And so does The Wild.
In Madagascar, the group's leader is a lion, and it also includes a giraffe. And it's the same in The Wild.
In Madagascar, the group break out of the zoo to set off on a cargo ship for a remote jungle location. And it's the same in The Wild.
In Madagascar, the Lion comes to terms with the contrast between his pampered existence in captivity and life in the wild. And it's the same in The Wild.
And even the humorous sidekicks are similar. In Madagascar, the group are aided by a team of military penguins, who operate with hilarious efficiency and speak in short, sharp sentences. In The Wild, they're chameleons.
So if you have seen Madagascar, you've basically already seen the Wild, right? Not exactly. Because if you ignore those suspicious connections, The Wild is actually a different kind of film, with clear signs of its heritage. Madagascar is more about the comedy, while The Wild follows the classic Disney themes of family values and adventure against adversity. If Masdagascar is Shrek, The Wild is Finding Nemo.
Except that is too much of a compliment. The Wild is still a second-rate animated movie, clearly from the Disney half of the Disney-Pixar partnership. Kiefer Sutherland plays Samson the lion straight down the line. His motivation is just to save his son from volcanic fiery death, so he saves the jokes and pratfalls for his entourage, most notably the scene-stealing koala played by Eddie Izzard. In fact, Sutherland might as well be reprising his role from 24, where he was invariably trying to save his annoying daughter. Only this time he's a lion, of course.
The film dallies too much with tired old psychobabble father-son nonsense, much in the same way that spoiled Chicken Little earlier this year. The quality of the animation is another step forward in the ability of artists to render animals, and it takes a more natural approach to Madagascar that is really very impressive indeed.
But Madagascar stole the march, leaving The Wild look a little bit preachy and rather old-school.
So, after last year's Madagascar was a reasonable hit for Dreamworks, arch-rivals Disney have "independently" come up with this, The Wild. A coincidence? Let's review the evidence.
Madagascar features a group of animals who are residents of a New York zoo. And so does The Wild.
In Madagascar, the group's leader is a lion, and it also includes a giraffe. And it's the same in The Wild.
In Madagascar, the group break out of the zoo to set off on a cargo ship for a remote jungle location. And it's the same in The Wild.
In Madagascar, the Lion comes to terms with the contrast between his pampered existence in captivity and life in the wild. And it's the same in The Wild.
And even the humorous sidekicks are similar. In Madagascar, the group are aided by a team of military penguins, who operate with hilarious efficiency and speak in short, sharp sentences. In The Wild, they're chameleons.
So if you have seen Madagascar, you've basically already seen the Wild, right? Not exactly. Because if you ignore those suspicious connections, The Wild is actually a different kind of film, with clear signs of its heritage. Madagascar is more about the comedy, while The Wild follows the classic Disney themes of family values and adventure against adversity. If Masdagascar is Shrek, The Wild is Finding Nemo.
Except that is too much of a compliment. The Wild is still a second-rate animated movie, clearly from the Disney half of the Disney-Pixar partnership. Kiefer Sutherland plays Samson the lion straight down the line. His motivation is just to save his son from volcanic fiery death, so he saves the jokes and pratfalls for his entourage, most notably the scene-stealing koala played by Eddie Izzard. In fact, Sutherland might as well be reprising his role from 24, where he was invariably trying to save his annoying daughter. Only this time he's a lion, of course.
The film dallies too much with tired old psychobabble father-son nonsense, much in the same way that spoiled Chicken Little earlier this year. The quality of the animation is another step forward in the ability of artists to render animals, and it takes a more natural approach to Madagascar that is really very impressive indeed.
But Madagascar stole the march, leaving The Wild look a little bit preachy and rather old-school.
Did you know
- TriviaScreenplay ideas were being written dating all the way back to 1991.
- GoofsIf you watch very closely the edge of Larry's mouth during the first scene in the garbage truck drifting through New York, Larry opens his mouth, and there is a very visible bright line where the interior of his mouth should line up with his lips, but doesn't. It's a tear in the CG model, and should have been fixed before the character was animated. What you're viewing through the tear is the New York city scape.
- Crazy creditsAll main (and lots of the minor) characters interact with the end credits
- SoundtracksGood Enough
Written and Performed by Lifehouse
Produced by Jude Cole
Strings Arranged by Jude Cole
Recorded by Florian Ammon
Mixed by Mike Shipley
Lifehouse appears courtesy of Geffen Records
Details
Box office
- Budget
- $80,000,000 (estimated)
- Gross US & Canada
- $37,384,046
- Opening weekend US & Canada
- $9,684,809
- Apr 16, 2006
- Gross worldwide
- $102,338,515
- Runtime1 hour 22 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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