On their way to a concert, a group of teens are diverted by a political protest, only to encounter a family of flesh-hungry psychopaths.On their way to a concert, a group of teens are diverted by a political protest, only to encounter a family of flesh-hungry psychopaths.On their way to a concert, a group of teens are diverted by a political protest, only to encounter a family of flesh-hungry psychopaths.
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The story is nothing great. Teens heading to a music festival get a little known "shortcut", a very cliché way of putting the victims on their way to slaughter. The evil characters kill for the sake of killing, with no reason and no big explanation. The teen group runs, the monster pursuits. The group split to make the monster's work easier. All in all, it's a simple, basic horror movie.
It's more like a showcase to display the filmmaker's makeup and gore-making abilities. It may be a Pakistan novelty, but considering worldwide horror movie history, it's pretty common. Many unexplained, cliché elements claims for a low grade, a 5, just in the middle. Not exactly bad, but only worth watching if you really have a good deal of time spare.
It's more like a showcase to display the filmmaker's makeup and gore-making abilities. It may be a Pakistan novelty, but considering worldwide horror movie history, it's pretty common. Many unexplained, cliché elements claims for a low grade, a 5, just in the middle. Not exactly bad, but only worth watching if you really have a good deal of time spare.
Thank God, this is not a comedy. Thank God. I am so sick of comedy. Comedy Sucks. This movie is so dang fine! I watched it until my eyes ran aorta my head! The Living Corpse (song & dance abound) is ass good too. The Dracula Star of The Living Corpse is in this anti-comedy! What more could anyone desire! Now go listen to Femme Fatale (BS) then watch this 'gain & gain--- then listen to Britney more. O yeah, the Indian dough nuts they eat (high?)--- well, one guy does--- he eats the whole bag--- and, like I said-- he was served by Dracula. And then there are zombies and an evil spirit witch... and gore... and Dracula serving Indian dough nuts... and there's also the director's commentary which is ass good too, O Dude.
A BIG THANKS to Mr. Omar Ali Khan for making Zibahkhana. I was fortunate enough to find it on YouTube.
The tale is fairly simple at heart. A group of students (heavily resembling die-hard punk and rock fans) go out to attend a music concert. They happen to take a detour but are seriously misguided and end up at a place that is more or less like a zombie land. The dwellers have hideously deformed bodies due to constant consumption of water from a nearby pool that's polluted by chemicals. They manage to save themselves and get caught up in something even worse. But wait! There is something that puts 'Zibahkhana' miles ahead of the other flicks of the slapstick genre....IT'S SCARY!
Based on my observations, I have following things to say.
The movie is gruesome to the core.
The movie has all the elements of The Texas Chainsaw Massacre, Friday the 13th, Dawn of the Dead, Cabin Fever and is a perfect slasher that uses the same staple to induce horror that Halloween and the original Texas Chainsaw Massacre used. Fear of the unknown.
The film is heavily inspired by the heavy rock era of 70s. Its common for the youngsters to get stoned and find themselves miles away from their destination. Alone in the dark!
It builds tension step by step and divulges itself to be one of the best horror movies to find place in heart and mind for a long-long time.
'Zibahkhana' is capable enough to ensue cult-following. Believe me, that's the impression I've got.
It is quite an indigenous creation, hailing directly from Pakistan and I am sure in course of time we will have many good flicks like Zibahkhana from innovative Pakistani directors.
I think that the Indian scare whimper directors like R.K. Khanna, R. Mittal, K.I. Sheikh, Jeetendra Chawda etc. should learn something from this movie, because B-grade horror is almost dead in India and is looking for a messiah to revive it once again.
The tale is fairly simple at heart. A group of students (heavily resembling die-hard punk and rock fans) go out to attend a music concert. They happen to take a detour but are seriously misguided and end up at a place that is more or less like a zombie land. The dwellers have hideously deformed bodies due to constant consumption of water from a nearby pool that's polluted by chemicals. They manage to save themselves and get caught up in something even worse. But wait! There is something that puts 'Zibahkhana' miles ahead of the other flicks of the slapstick genre....IT'S SCARY!
Based on my observations, I have following things to say.
The movie is gruesome to the core.
The movie has all the elements of The Texas Chainsaw Massacre, Friday the 13th, Dawn of the Dead, Cabin Fever and is a perfect slasher that uses the same staple to induce horror that Halloween and the original Texas Chainsaw Massacre used. Fear of the unknown.
The film is heavily inspired by the heavy rock era of 70s. Its common for the youngsters to get stoned and find themselves miles away from their destination. Alone in the dark!
It builds tension step by step and divulges itself to be one of the best horror movies to find place in heart and mind for a long-long time.
'Zibahkhana' is capable enough to ensue cult-following. Believe me, that's the impression I've got.
It is quite an indigenous creation, hailing directly from Pakistan and I am sure in course of time we will have many good flicks like Zibahkhana from innovative Pakistani directors.
I think that the Indian scare whimper directors like R.K. Khanna, R. Mittal, K.I. Sheikh, Jeetendra Chawda etc. should learn something from this movie, because B-grade horror is almost dead in India and is looking for a messiah to revive it once again.
I ended watching this movie on a spur of the moment decision. I learned it was the world premier showing, and the director introduced the movie before the started.
This movie sports all that one can expect from a movie in its genre. Hapless teenagers looking for fun. Slasher zombies and your masked insane killer.
What it also contains are poor camera work, poor acting, stereotypical one-sided characters and an simple yet unbelievable plot. It also tries adding a few political themes on pollution and the degenerate behavior of the Pakistani youth. These factors makes the movie a comedy rather than a horror movie, and actually makes the movie watchable. I give it a 5 because it was good fun, for me nothing more.
This movie sports all that one can expect from a movie in its genre. Hapless teenagers looking for fun. Slasher zombies and your masked insane killer.
What it also contains are poor camera work, poor acting, stereotypical one-sided characters and an simple yet unbelievable plot. It also tries adding a few political themes on pollution and the degenerate behavior of the Pakistani youth. These factors makes the movie a comedy rather than a horror movie, and actually makes the movie watchable. I give it a 5 because it was good fun, for me nothing more.
One thing was very clear to me even before I saw the film: this was an ultra-low-budget production, made by a non-professional. Therefore, I wasn't expecting much, and that's exactly what I got. I also knew that the director, Omar Khan, was an enthusiast of cult, horror, and trash cinema, as evidenced by his loving attention to obscure Indian and Pakistani films on his website. Zibahkhana works well enough insofar as an amateur homage/reworking of some of the most famous horror staples, albeit with some local color and at least one ingenious touch (a burqa-clad slasher? Sweet!). It would be fair enough to sum this up as a cross between Texas Chainsaw Massacre and Hostel, set in Pakistan, with a dash of zombies for good measure. I just wish the writers could've developed the screenplay a little beyond the gleeful regurgitation of clichés that we get, because this could've been so much better (a case in point is the zombie subplot which is abandoned soon after the gut- munchers appear
more's the pity, because these guys looked awesome).
Anyway, let's move on beyond the script. There are some technical flaws, but one can overlook those as it was obviously shot on the cheap, using digital cameras. Still, the interior of the van at night was way over-lit, which could've been remedied without much hassle. The look of the film is fine, enhanced by a ubiquitous wide-angle lens. The acting by the young cast of protagonists isn't anything to write home about, either, but then they didn't really have good material to work with. What Khan does get right is an atmosphere of creepiness, and what he excels in is the level of violence and gore in the film. Yes sir, he really lets loose with the red stuff. Gore hounds won't have much to complain about here. And since that seems to have been the focus of Khan's energies, it may have been a wise decision to keep the running time short (78min approx), because clearly, the 'exposition' scenes were not going to keep audience interest levels up. Another nice touch is the soundtrack which is littered with retro Lollywood music. A clip from Zinda Lash (The Living Corpse) makes an appearance and the actor who played the vampire in that film, Rehan, is also featured in a bit part, where he hams it up hilariously.
So if like me, you go into the film with low expectations, you're likely to enjoy it for what it is: a gory, lurid and fast-paced pastiche of better known horror films, made by fans and for fans (with the novelty value of being a Pakistani gore film really, how many of those do you see around?). If, however, you want something more substantial than that, you might be let down. Me, I had a pretty good time. Here's hoping Khan's next project improves upon his debut.
Anyway, let's move on beyond the script. There are some technical flaws, but one can overlook those as it was obviously shot on the cheap, using digital cameras. Still, the interior of the van at night was way over-lit, which could've been remedied without much hassle. The look of the film is fine, enhanced by a ubiquitous wide-angle lens. The acting by the young cast of protagonists isn't anything to write home about, either, but then they didn't really have good material to work with. What Khan does get right is an atmosphere of creepiness, and what he excels in is the level of violence and gore in the film. Yes sir, he really lets loose with the red stuff. Gore hounds won't have much to complain about here. And since that seems to have been the focus of Khan's energies, it may have been a wise decision to keep the running time short (78min approx), because clearly, the 'exposition' scenes were not going to keep audience interest levels up. Another nice touch is the soundtrack which is littered with retro Lollywood music. A clip from Zinda Lash (The Living Corpse) makes an appearance and the actor who played the vampire in that film, Rehan, is also featured in a bit part, where he hams it up hilariously.
So if like me, you go into the film with low expectations, you're likely to enjoy it for what it is: a gory, lurid and fast-paced pastiche of better known horror films, made by fans and for fans (with the novelty value of being a Pakistani gore film really, how many of those do you see around?). If, however, you want something more substantial than that, you might be let down. Me, I had a pretty good time. Here's hoping Khan's next project improves upon his debut.
Did you know
- TriviaIn the toilet scene when Ayesha turns having changed her clothes, scribbled on the wall is a phone number 777-9311 which is a funk song by The Time, one of the Director's favourites.
- GoofsAll entries contain spoilers
- ConnectionsEdited into Cent une tueries de zombies (2012)
- SoundtracksStrix Nebulosa
Performed by Cyclobe
Written and produced by Stephen Thrower & Simon Norris
from the CD 'The Visitors'
(P)Ouroubouros 2001
©Cyclobe 2001
Used by arrangement with Stephen Thrower & Simon Norris
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