Anomalisa

Every time I see a Charlie Kaufman film I'm reminded how fearless he is at examining the human condition and why I need to put a lot of time in between watching his movies.

In "Anomalisa," his Academy-Award nominated animated film, David Thewlis and especially Jennifer Jason Leigh do tremendous voice work as an emotionally ill minor celebrity and the shy, awkward woman with whom he enjoys a one-night stand while at a conference at which he is the speaker. The film is an examination of middle-aged male discontent and loneliness, a subject a younger version of me was always impatient with and which the 41-year-old version of me now finds hits uncomfortably close to home. Kaufman creates a sad character who has many unpleasant tendencies but isn't necessarily a completely unpleasant man, and allows us to see how this one night in the man's life and his approach to human relationships is a stand-in for his entire adult life and the driving force behind his depression.

As in his masterpiece, "Synecdoche, New York," Kaufman refuses to give in to the convention of happy, or at least hopeful, endings, and suggests that it is possible to live an entire life being utterly miserable if you don't possess the resources to do otherwise, a terrifying idea to anyone who has struggled with depression, anxiety, or even just prolonged bouts of general malaise. In so many Hollywood movies about unhappy people, the unhappy people just need the emotional connection to that one special person that shakes them out of their funk and changes everything around for them. One of the things I liked best about "Anomalisa" is its suggestion that, while those special people really do exist, happiness in any one person is something that has to come from inside and isn't going to be imposed on one by another. It isn't comfortable to think about the possibility of life being a long series of missed opportunities, but it feels honest.

Grade: A-

This is certainly one of the strangest animations I have ever seen and strange in a very good way. This is a Stop-Motion film about a man , Michael Stone , who while on a business trip , decides that his life is so dull and mundane that he needs to have a bit of fun whether it be with an ex girlfriend or an admirer of his work. The problem is Michael Stone doesn't do fun. He doesn't really know how to. In fact he's not a very nice man at all.

I loved this. The attention to detail is amazing. Not just the fascinating animation but the voices. Not until it starts to looks like he might have enjoyment do we hear a woman's voice. All other times it is voiced by the same man. That's the voices of women and children too and it highlights perfectly the rut he is stuck in. The sex scenes are very unnerving yet worryingly realistic . The film makers have got the facial expressions and even the tone of the voices perfectly and it's the little things that make this film so fascinating.

Recommended.

Despite being critically acclaimed, 'Anomalisa' seems to have divided audiences. People were left mesmerised and touched by the film, while others were alienated and perplexed by it.

After seeing 'Anomalisa' for myself, it is not hard to see why it was acclaimed but at the same time it is not hard to see why it hasn't clicked with some people. Personally think that 'Anomalisa' could have been better, and it would from humble opinion would have worked better as a short film, but its many good points are so well executed that it hard to be too hard on it. Because the visuals, music and voice acting were as wonderful as they were, even if I didn't like the film it would not have gotten less than a 4 or 5.

The film apparently was originally intended to be a short film, and it does show because some of the film does feel over-stretched with padded scenes that try to disguise thin plotting (while the sex scene was intimate and touching, it was also drawn-out, somewhat too much so).

Some of the first act in particular does fail to maintain momentum, being very draggy and uneventful in places. For example, the scenes intensely detailing Michael leaving the airport, checking into the hotel and going to the room could have either been trimmed or omitted and it would not have harmed the story at all. The ending is one that is open to interpretation, don't mind these kind of endings but this one felt sudden and abrupt, the ambiguity suggestive of Kaufmann being unsure as how to end the film.

However, 'Anomalisa' looks absolutely amazing, the stop-motion style having such a beauty and realism to it as well as imaginative in its detail. When it comes to animated films this year, stylistically 'Anomalisa' definitely stands out when it comes to uniqueness. The music score is hypnotic and dream-like while also touchingly understated.

When it comes to the script there are some very thought-provoking and poetic moments, while the narratively-linear story achieves a fine balance of the distinctively-Kaufmann psychologically surreal (such as Michael reading the letter from an ex-lover and imagining her presence and Michael's dream, which was wonderfully strange), the painfully sad and the achingly humane. While some have said that they didn't get a lot out of 'Anomalisa', while not thematically original exactly the film does say a lot profound to me of the repetitiveness of relationships, it's the inside that counts and of the necessity of believing we and our loved ones are special.

The characters are neurotic (almost on the same level of the neurose-ridden characters in a Woody Allen film), especially Michael, but there was something about the touching chemistry between Michael and Lisa and their introvertedness (coming from a fairly introverted person myself) that appealed to me even if they were deliberately not the most likable in the world. The voice acting is hard to fault.

Jennifer Jason Leigh clearly put her heart and soul into Lisa and David Thewlis is similarly terrific. Meanwhile it was truly mesmerising as to how Tom Noonan voiced all the rest of the characters (essential to the point that the film made about sounding the same, or 'same voice', which would only have worked really with one voice doing them) and still managed to make them distinct from one another, not many people can do that.

Overall, a polarising film that will mesmerise viewers but alienate others. With me, it alienated at first and it would have worked better as a short film as intended originally but mostly found it very rewarding sticking with it. 7/10 Bethany Cox

Caught this film at a last minute matinée at ArcLight Hollywood. It's a stop motion animated film about a British author, voiced by David Thewlis, coming to Cincinnati for one night for a conference and his time spent in a first class hotel.

At the beginning I was impatient with it, I thought it might be just a stop motion South Park episode, where all the voices are pretty much the same. Then when the character of Lisa came on the screen, it all changed for me. I got it, it clicked.

The film is so disarmingly simple in its beauty and elegance. The relationship between the two main characters really touches you. Plus I'd never thought I'd be moved by the singing of a particular well known 1980s pop song in the film.

The role of Lisa was a diamond in the rough character, a beautiful, flawed girl whose been wrongly ignored romantically and it just takes the right person to see how fantastic she really is. It made me think of the times I wished I'd had a Lisa in my life and the times I was fortunate enough to have one. Lisa was voiced by Jennifer Jason Leigh in a performance that fooled me, I was so drawn into the character I had no idea it was her, I only saw Lisa as Lisa.

While not a perfect film, it won me over and works on many levels, the filmmakers, Charlie Kaufman and Duke Johnson, leave it largely up for the viewer to decide what the film is about. Is the lead character insane? Is he in Limbo, his own private Hell, is everyone a robot, wearing masks literally? Does he see oil painting beauty in someone one day and the next sees only cracks and flaws? Who can say?

One thing though, voice actor Tom Noonan, albeit talented, should never sing again, ever. Never again, Dollarhyde, never again.

Anomalisa, or as I call it, A Mona Lisa, is the same as the iconic painting that is its namesake, kind of a thing of flawed beauty.

Charlie Kaufman has always put together fantastic and thought-provoking movies so I naturally get excited before I'm about to watch one. Anomalisa is another fantastic addition to his body of work.

Anomalisa follows Michael, who is tired of the mundanity in his life but soon experiences something special after meeting a woman named Lisa.

Apart from Human Nature and Confessions of a Dangerous Mind, I have seen every Kaufman film and loved every single one of them. Anomalisa is yet another film where Kaufman studies the human psyche and it's one of the best looking animated films I've seen. Since Kaufman doesn't have experience with stop motion, Duke Johnson came to help and the stop motion animation is visually striking. Despite being small in scale, the world of Anomalisa feels incredibly real. There are some impressive long takes where we follow characters into different rooms. Considering the challenges of stop motion, doing a long take is incredibly difficult so I have to praise the hard work put in by the animators because on a technical level this film is phenomenal.

This film isn't just style over substance because Charlie Kaufman adds so much depth and purpose to the characters and scenarios. This is a film that is sure to resonate with a lot of people. As of right now, I cannot relate to it as much but a few years down the line I may really connect with its themes. I love how interpretive Anomalisa is. It's not just a film you forget after finishing it. I still find myself thinking about the ending and other details. The voice acting is really good. David Thewlis does a terrific job as Michael and Jennifer Jason Leigh is absolutely fantastic as Lisa.

Anomalisa is another fantastic Kaufman film that's not only technically impressive but also humane and relatable. It's sad to see a talented writer like him struggle to fund his movies. I really hope he continues to write and direct more films as there is no writer like Charlie Kaufman.