Cold Pursuit

"Kraftidioten", a.k.a. "In order of Disappearance", is a brilliant 2014 black comedy/vigilante thriller from Norway. Since a lot of people in this world object to reading subtitles (and simply because it's an easy and profitable business), Hollywood is always eager to produce remakes of successful foreign movies. For once, however, I didn't immediately feel like boycotting the US remake; and this for two reasons. Number one: native Norwegian Hans Petter Moland directs the American remake himself and, number two, none other than the awesome Liam Neeson reprises the role of the grieving but vengeful father. Apart from different people in the cast, obviously, "Cold Pursuit" is practically a shot-by-shot remake of "In order of Disappearance. The setting has moved from snowy Norway to snowy Colorado, and the drug wars are fought with Native American tribes instead of with Albanian mafia families, but the plot of the quiet and introvert plow driver seeking retaliation for the murder of his innocent son is identical. This basically means that "Cold Pursuit" is still an awesomely entertaining action movie with sublime dry humor, but the freshness and the surprise elements are gone (unless if you haven't seen the Norwegian original, duh).

The thing with most Liam Neeson actioners these days is that their screenplays solely depend on his tough guy demeanor to keep the proceedings engaging. Cold Pursuit, another Liam Neeson actioner on the onset, is entertaining but for reasons not pertaining to the set pieces alone. Don't get me wrong, the set pieces are very much there but this film doesn't go the typical Hollywood remake route.

While I haven't watched the Norwegian original (In The Order of Disappearance; the name choice a lot more suitable for the film), it sure seems like the material writer Kim Fupz Aakeson and director Hans Petter Molland (who has directed the remake as well) had in hand was worthy of a re-telling. While there are some sly remarks made by baddie characters in the film that are sure to turn some sections of the viewers off (in fact, in-your-face offensive at times), everyone who does so eventually gets the 'treatment' they deserve, which was satisfying as hell.

The crude humor takes a while to arrive, as the incident that sets the storyline in motion is a grim one: the son of a snow-plow operator is found dead during a snowy winter in Kehoe and he decides to find out who's behind it. More characters are unveiled, while some begin to 'disappear'. A title card with the respective character's name shows up every time a 'disappearance' occurs (innovative!). I couldn't help but laugh out loud at instances such as the 'Coxman reference' joke, the whole 'Eskimo' scene, and of course, the 'motel' scene. You'll know when you've watched!

And yet, amid all that, you have a brilliantly written scene featuring Nels (Liam Neeson) bonding with the chief baddie's son in a "Tell me a story so that I can sleep" situation. It does its bit in showing us that even as Nels goes about enacting his vengeance, he still has a heart that yearns for the son that he lost. The climactic showdown is executed well and ends on a rather 'unexpectedly funny' note. I know of Neeson's 'racist' comments and the controversy surrounding it, but I can't deny the fact that his performance was pretty good in this movie, as he always gives a 100% even when the scripts offered to him are mediocre.

It's easy to write off 'Cold Pursuit' as cliched, predictable action-drama, but the clever undercurrent of dark humour does the trick at least for some of us. This film was very much in Tarantino-Coen-Zahler territory (minus the subtlety, of course!). I adore both Emmy Rossum and Laura Dern, and am of the opinion that they should've had better-written roles in the movie. 'Cold Pursuit' meanders a bit in its storytelling and is indeed more fascinating in fragments than as a whole, but you can give it a watch if you're a fan of black comedies.

I would suggest before you watch this or think about watching it: go and watch the original! Way better, way funnier (darker) and feels generally better in tone. Now obviously some may think this is Taken or like Taken - it is not. Which makes some of the people watching this already mad. Especially because they don't know the movie this is based on.

I can only urge you so much to watch the other movie. Which doesn't mean this is bad. The movie this takes its cues from was too good for them to mess the remake up. The actors here try their best though and if you don't care for subtitles (which many will need since it is not in English, the Original that is), you could do far worse.

Blood, Vengeance, and Brutal deaths, love it! This is an exemplar of a good action movie to watch. Liam Neeson at his best work.

Starts out really good, with Neeson as the usual man on a mission and exacting brutal vengeance on a few men. But after that it shifts attention to too many needless people, mainly for comedic effect, but apparently to advance the story by inches to avoid Neeson's character from appearing to be too powerful to get things done alone. Unfortunately, it just doesn't work here since these side events don't feel parallel to the main story or interesting. For example, a female cop, portrayed as eager and hard-nosed, is constantly discovering bits of info related Neeson's son death, even confronting him out of the blue about it, appearing suspicious of him for some reason, but nothing ever happens after that. What was the point? Then the 2nd half really gets dragged on by too much forced attention on the Native Americans and the same old "white men took everything" story (I don't want to sound insensitive but it was too out of place), and a kid that would've been better off staying on the sidelines.

I had relatively high hopes for this movie, and was left disappointed.